Officer Alexandros Komninos (Christos Politis) and soldier Kosmas Georgiou (Giannis Katranis) undertake a mission to spy on German forces on Bulgarian territory, and Nikitas (Stefanos Stratigos) with ...

A rich building contractor, Kleanthis Tompoglou, wants to marry off his silly son Roulis to an exceptionally smart girl, Toula. However, an employee of his, Bampis, is in love with Toula, and he resen...

Shortly before traveling abroad to study, a poor guy from the countryside (Angelos Antonopoulos) injures his leg, which then becomes paralyzed. He pities himself, abandons his studies and neglects his...

A group of young guys are looking for the women of their dreams, each following their particular fantasy. Giorgos and Andreas spend their little money pretending to be rich, while Thymios and Iraklis,...

Agni is a 20 year-old girl who sells flowers on the street and in nightclubs. She is in love with Petros, the son of a wealthy family, who is planning to ask her to marry him. Agni’s mother, Nina, i...

In a typical tenement building, a university student and the doorman’s daughter plot how to expose the pettiness of the petit-bourgeois tenants.

A poor man (Fragkiskos Manellis) accepts some money to impersonate a maharaja who has cancelled his stay at a luxurious hotel. When the real maharaja (Periklis Christoforidis) shows up, the poor man i...

Dimitris Thalassias is a single singing teacher at a senior high school in Athens and undertakes the care of a child abandoned by its mother at the door of the foundling hospital. He does everything r...

The notes begin with a reference to Aeschylus’ tragedy of the same name “The Persians”, and move on to a critique of the adaptation by Jean Prat, noting that “he uses the costumes and masks in...

Programme for the PALLAS cinema. On the cover, information on the address of the cinema, which is housed in the Army Pension Fund Building, the title of the film currently showing: "NO TOMORROW" and t...

The long programme, written by M. Komninou, informs us that Lang’s inspiration was the serial killer Peter Kurten and the fact that the murderer, after first eluding the police, was arrested by the ...

Short presentation of the film that had been banned from shown in France due to its bold theme. A few words about the story and the performance of Anna Carina as well as about Rivette as a theoreticia...

The film is based on the novel "Oblomov" of the classical writer of Russian literature, Ivan Goncharov. "we wanted "Oblomov" to be a literary film" says the film maker. The movie sequences of Michalko...

A pictorial poster, made by St. Almaliotis. In the middle of the poster, within a circular frame, the title of the movie reads in red, capital letters: THE ABDUCTION OF PERSEPHONE. Below, in grey mono...

The programme for the film "The Stagecoach" refers to Ford's skill for outlining human fate and includes comments on the genre of the western he directed. This is followed by the synopsis and referenc...

The programme for the film "The Gospel According To St.Matthew" lists the credits. There is reference to the Gospel and Pasolini's cinematic rendering. There are statements made by the director and mo...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS