Officer Alexandros Komninos (Christos Politis) and soldier Kosmas Georgiou (Giannis Katranis) undertake a mission to spy on German forces on Bulgarian territory, and Nikitas (Stefanos Stratigos) with ...

A rich building contractor, Kleanthis Tompoglou, wants to marry off his silly son Roulis to an exceptionally smart girl, Toula. However, an employee of his, Bampis, is in love with Toula, and he resen...

Shortly before traveling abroad to study, a poor guy from the countryside (Angelos Antonopoulos) injures his leg, which then becomes paralyzed. He pities himself, abandons his studies and neglects his...

A group of young guys are looking for the women of their dreams, each following their particular fantasy. Giorgos and Andreas spend their little money pretending to be rich, while Thymios and Iraklis,...

Agni is a 20 year-old girl who sells flowers on the street and in nightclubs. She is in love with Petros, the son of a wealthy family, who is planning to ask her to marry him. Agni’s mother, Nina, i...

In a typical tenement building, a university student and the doorman’s daughter plot how to expose the pettiness of the petit-bourgeois tenants.

A poor man (Fragkiskos Manellis) accepts some money to impersonate a maharaja who has cancelled his stay at a luxurious hotel. When the real maharaja (Periklis Christoforidis) shows up, the poor man i...

Dimitris Thalassias is a single singing teacher at a senior high school in Athens and undertakes the care of a child abandoned by its mother at the door of the foundling hospital. He does everything r...

The begins with an explanation of the phrase "film noir", how it came about and received worldwide recognition. It is followed by a brief essay on the genre. There is brief note about the film at the ...

"A social comedy that offers several entertaining moments with the unbending humor of the great director" is characterized the film and Betty Davis "irreplaceable". There is a plot summary and basic d...

The program informs us that this is the Italian version (1947) of the silent film by Clarens Brown (125), and adaptation of one of Puskin's short stories. It mentions, also, the "huge box office" succ...

The programme for the Tower Film Club, a division of the Greek Film Archive Foundation includes the acting credits of Vittorio De Sica's film "The Bicycle Thief". The note begins with an extract from ...

Τhe program for the screening of Andre Dupont’s “Variete” includes a biographical note on the director along with information regarding his introduction to expressionism and his career in Amer...

The first part of the programme contains references to technique, art and its broader application in cinema, to the advances and innovations in 1920, to montage and the director. In the second part w...

The presentation refers exhaustively to the career of A. Cavalcanti, pointing out his characteristic "documentaristic following of the human soul". The program gives briefly the plot of the film, whic...

The programme mentions the trend toward co-productions, which started in the 1950s with France, Italy and other neighbouring countries, and refers to the creators and their films. Among them is André...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS