A film adaptation of the theatrical play of the same name which caused an uproar. As a result of its highly controversial nature, the writer and director were sent many times to the dock, and the pl...
A German navy officer (Kostas Karras) and his Greek friend (Kostas Prekas), who is also a navy officer, find themselves on opposite fronts at the beginning of WW2. Apart from being enemies on a nation...
A photographer (Giota Festa) tries to raise her five-year-old daughter on her own, when a young man (Dimitris Alexandris) comes into her life, and romance grows between them. A friend of hers urges he...
A Gypsy woman manages to overcome the obstacles facing her due to her race and wins her life and the man she loves.
A doctor (Petros Fysoun) is charged with molesting a medical student (Anny Paspati). During the trial, the doctor refuses to defend himself. When his advocate (Eleni Filini) investigates the case, she...
A documentary that attempts a critical examination of the national problem of Cyprus and the struggle of its people. It focuses on the events of 1974 and their painful consequences: the Turkish invasi...
Alexis and his three friends, with the assistance of an Asian singer, rob a poultry slaughter house and accidentally kill the owner (Vangelis Kazan). Alexis and the singer escape to the mountains, but...
A short documentary about the theatrical performance of Aeschylus’ “Prometheus Bound”, which was presented at the Delphic Festivals. The first record of Angelos Sikelianos’ efforts to present ...
The programme is entitled "The Wealth of the German Cinema" and is a comprehensive encyclopaedic essay on the classical German cinema. The Greek Film Archive Foundation proudly presents a rare copy of...
Richard Brooks' romantic love melodrama « THE LAST TIME I SAW PARIS" was a huge success in the '50s. It is based on Scott Fitzgerald's book "ΒΑΒΥLON REVISITED" and is about a writer's love for a ...
The programme for January – April 1997 announces the following cinematic tributes (beginning with a brief introduction, followed by titles of the films and details from the credits). - Marcello Mas...
The SPLENDID Cinema program. On the front cover: “The SPLENDID cinema, ‘ASTERO’”, followed by the film synopsis.
According to the programme, Giannini, “transferring to the big screen his theatrical success, aspired, with this film, to give to the new kind of Dance-Musical-Fantasy, which was tried right after W...
The presentation, signed by Mona Mitropoulou, begins with reference to the history and the time environment of the film: We are in (1934-5), that is the time of dominion of the German cinema, followin...
The program mentions the divided reception of the film by the public and the characterization given by the filmmaker himself as “a requiem to the unification with Greece”. The presentation also a...
Weekly illustrated encyclopaedic review. Features various articles: "The history of cinema", "The films that go by" etc.
Cinematic sheet-shaped newspaper, featuring a variety of topics on the Cinema.
Monthly Cinematic Magazine.
PROFESSIONAL CINEMATIC PUBLICATION. Illustrated, containing many advertisments.
THEATER-CINEMA-MUSIC-DANCE-LITERATURE-VISUAL ARTS-RADIO-TOURISM. SHEET SHAPE
PROFESSIONAL CINEMATIC PUBLICATION. Illustrated, containing many advertisments.
STRATIS KARRAS AND TONI LYKOURESIS’ TYPED SCRIPT ABOUT THE FILM “THE SCULPTURES’ BLOOD” SIGNED BY THE AUTHORS. THE SCRIPT’S TEMPORARY TITLE WAS “THE LAND OF SCULPTURES”. DISTRIBUTION AR...
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.