Miranda, who is paralyzed, becomes the victim of an employee of her father’s who is after her money. She finds solace in a man who truly loves her.
In a maternity clinic the prostitute Sonia substitutes her baby for someone else’s which died soon after birth. Years pass, and the child grows up with Pavlos and Eleni, who have no idea that the c...
A young man wants to kill his parents and his mother’s lover. While running in the street, he gets hit by a car. He ends up in the hospital, where, immobile in his bed, he mentally commits the three...
A young man who has just completed his studies and taken his vows as a doctor returns to his village. His mother expects him to take revenge for his father’s death and get their land back, which w...
Michalis Pararounas, after his recent release from prison, plans a big heist with his friends: to crack the safe of a villa in Filothei, where the wealthy Mrs. Domna lives. However, Mrs. Domna catches...
The womanizer Mr. Klearchos (Vasilis Avlonitis), who covets his neighbor Mrs. Iro, cooks up a scheme to have her follow him to the spa where he goes for treatment. He assumes the role of minder for hi...
The owner of a rural coffee shop (Kostas Chatzichristos) hopes to capture the heart of one of the village girls. After a strange twist of fate, he pretends to be a business man in an oil company. Howe...
This is the first film of Vasilis Georgiadis, a great Greek director, whose films have twice been Oscar nominees for best foreign language film. This is perhaps the only Greek athletic film production...
The programme is entitled "The Wealth of the German Cinema" and is a comprehensive encyclopaedic essay on the classical German cinema. The Greek Film Archive Foundation proudly presents a rare copy of...
Richard Brooks' romantic love melodrama « THE LAST TIME I SAW PARIS" was a huge success in the '50s. It is based on Scott Fitzgerald's book "ΒΑΒΥLON REVISITED" and is about a writer's love for a ...
The programme for January – April 1997 announces the following cinematic tributes (beginning with a brief introduction, followed by titles of the films and details from the credits). - Marcello Mas...
The SPLENDID Cinema program. On the front cover: “The SPLENDID cinema, ‘ASTERO’”, followed by the film synopsis.
According to the programme, Giannini, “transferring to the big screen his theatrical success, aspired, with this film, to give to the new kind of Dance-Musical-Fantasy, which was tried right after W...
The presentation, signed by Mona Mitropoulou, begins with reference to the history and the time environment of the film: We are in (1934-5), that is the time of dominion of the German cinema, followin...
The program mentions the divided reception of the film by the public and the characterization given by the filmmaker himself as “a requiem to the unification with Greece”. The presentation also a...
Weekly illustrated encyclopaedic review. Features various articles: "The history of cinema", "The films that go by" etc.
Cinematic sheet-shaped newspaper, featuring a variety of topics on the Cinema.
Monthly Cinematic Magazine.
PROFESSIONAL CINEMATIC PUBLICATION. Illustrated, containing many advertisments.
THEATER-CINEMA-MUSIC-DANCE-LITERATURE-VISUAL ARTS-RADIO-TOURISM. SHEET SHAPE
PROFESSIONAL CINEMATIC PUBLICATION. Illustrated, containing many advertisments.
STRATIS KARRAS AND TONI LYKOURESIS’ TYPED SCRIPT ABOUT THE FILM “THE SCULPTURES’ BLOOD” SIGNED BY THE AUTHORS. THE SCRIPT’S TEMPORARY TITLE WAS “THE LAND OF SCULPTURES”. DISTRIBUTION AR...
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.