I. Views of the honour guard at the Jaffa Gate, composed of English, Welsh, Scottish, Indian, Australian and New Zealand troops, with twenty soldiers each from Italy and France continuing the line ins...
I. (Reel 1) Winter training for British troops. Infantry guns and Highlanders move in columns along the roads up to the snow covered trenches. Hot soup is brought to troops in the trenches. A dawn 'st...
I. (Reel 1) The Lincolnshire Regiment clear a road lined with damaged trees. Nine men of the Royal Munster Fusiliers cross a damaged bridge over the Somme. A column of the Loyal North Lancashire Regim...
A Nieuport 27c Scout of 60 Fighter Squadron, badly damaged outside a hangar, with mechanics removing a damaged wing. Three men working in a mobile repair shop (see the same scene in IWM 118 THE EYES O...
2nd Battalion, King's Own Scottish Borderers of 5th Division, including four bagpipers, detraining and resting at Legnano, 20 December 1917. 1st Battalion, the Bedfordshire Regiment (?) of 5th Divisio...
(Reel 1) Australian 2nd Division at outdoor physical training and Swedish drill, followed by bayonet training and Lewis machine gun practice, probably in 'W' training area, Bouvelinghem, August 1917. ...
The opening scenes show New Zealand Field Artillery horses being watered at a river and fed at horse lines. This is followed by a scene of a gunner officer emerging from a sandbagged command post and ...
British and French troops camped in woods, with one man being shaved, probably close to Boves. French soldiers drive two abandoned cows in past British 18-pounders. A French armoured car of II Cavalry...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
Der Arbeiter und Soldaten Rat, Lichtbildbühne, 49, (1918).
O. Verf.. „Englands Heer. Der englische Armee-Film.“ Der Kinematograph 374 (1914).
O. Verf.. "Entwicklung und Bedeutung des Kinowesens." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70. Statistische Zahlen, die die Bedeutung und Verbreitung d...
Walter Weise, Filmkunst und Publikum, Der Kinematograph, 683, (1920), S. 21-22. Die beiden rezensierten Filme seien ein absoluter Publikumserfolg und sogar in der Lage, eingefleischte Kinogegner zu ü...
Brepohl. "Von der Kinematographenzensur." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Bericht über den Fall eines Kinobesitzers, der in der Zensur, sofern ...
Sellmann, Adolf. „Der Kampf um den Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 97-100. Das Kino sei vor allen Dingen von Feinden von außen bedroht, v...
Schibas, Franz. „Wie meine Schülerinnen die Filmstücke beurteilen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 37-39. Schibas schildert, wie seine Schül...