I. Views of the honour guard at the Jaffa Gate, composed of English, Welsh, Scottish, Indian, Australian and New Zealand troops, with twenty soldiers each from Italy and France continuing the line ins...
I. (Reel 1) Winter training for British troops. Infantry guns and Highlanders move in columns along the roads up to the snow covered trenches. Hot soup is brought to troops in the trenches. A dawn 'st...
I. (Reel 1) The Lincolnshire Regiment clear a road lined with damaged trees. Nine men of the Royal Munster Fusiliers cross a damaged bridge over the Somme. A column of the Loyal North Lancashire Regim...
A Nieuport 27c Scout of 60 Fighter Squadron, badly damaged outside a hangar, with mechanics removing a damaged wing. Three men working in a mobile repair shop (see the same scene in IWM 118 THE EYES O...
2nd Battalion, King's Own Scottish Borderers of 5th Division, including four bagpipers, detraining and resting at Legnano, 20 December 1917. 1st Battalion, the Bedfordshire Regiment (?) of 5th Divisio...
(Reel 1) Australian 2nd Division at outdoor physical training and Swedish drill, followed by bayonet training and Lewis machine gun practice, probably in 'W' training area, Bouvelinghem, August 1917. ...
The opening scenes show New Zealand Field Artillery horses being watered at a river and fed at horse lines. This is followed by a scene of a gunner officer emerging from a sandbagged command post and ...
British and French troops camped in woods, with one man being shaved, probably close to Boves. French soldiers drive two abandoned cows in past British 18-pounders. A French armoured car of II Cavalry...
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...