A line of Danton Class battleships puts to sea. Two of the Dantons with, in front of them, two destroyers, possibly Claymore Class. The destroyer Flamberge passes left to right, followed by the destro...
Members of 2/3rd County of London Yeomanry (Sharpshooters) compete fencing on horseback. Others take part in a "Victoria Cross race", rowing small coracles across a stream. This is followed by a sword...
A Soldato Class destroyer passes with the coast in the background. A silhouette view of a Re Umberto Class battleship firing its forward 13.5-inch guns. Three torpedo boats manoeuvre, the leader is po...
A French vet and two British vets check a bandaged horse in the open on the 'hospital' (obviously a farm). All the vets, including two women, wear operating gowns from time to time. A British vet uses...
The wrecks of two aircraft which collided are shown, neither identifiable.The art students, including girls, are in fancy dress. They play leapfrog, improvise a foxtrot, and play up for the camera.The...
(Reel 1) A panorama of Gaza under British occupation. (The two ships described as shallow draft monitors which bombarded Gaza are HMS Moth and HMS Caddis Fly (?) serving in Mesopotamia.) The ruins of ...
I. Medium shot as V/W Class destroyer crosses the screen, and pan right to long shot of line of four Iron Duke Class (?) battleships. Medium shot off port beam of HMS Renown underway. Royal Sovereign ...
Opening medium shot of Queen Elizabeth Class battleships lying anchored in quarter line, dressed overall, with crews manning the sides. King George V reviews "Britain's Sure Shield" - medium and mediu...
Paul Wegener
Dita Parlo, Gustav Fröhlich
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
Paul Wegener, Pola Negri
Still from "Das Liebesbarometer"
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...
Voigt, Hildegard L.. "Die Hetze gegen die Lichtbildbühnen." Lichtbildbühne 23 (1913): 1-4. Die Kritiker des Kinos würden nur deren Auswüchse sehen, hätten aber nie ein anständiges Kino besucht. ...
Egon Jacobsohn, Ferdinand Lassalle, Der Kinematograph, 615, (1918), S. 18-30. Bericht von der Uraufführung in Berlin. Die Aufführung sei ein voller Erfolg gewesen, zumal es besonders gut in die Zeit...
Saturn Film AG, Rasputin. Drama in 5 Akten, Der Kinematograph, 553, (1917), S. 24.
P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...
National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...