A line of Danton Class battleships puts to sea. Two of the Dantons with, in front of them, two destroyers, possibly Claymore Class. The destroyer Flamberge passes left to right, followed by the destro...
Members of 2/3rd County of London Yeomanry (Sharpshooters) compete fencing on horseback. Others take part in a "Victoria Cross race", rowing small coracles across a stream. This is followed by a sword...
A Soldato Class destroyer passes with the coast in the background. A silhouette view of a Re Umberto Class battleship firing its forward 13.5-inch guns. Three torpedo boats manoeuvre, the leader is po...
A French vet and two British vets check a bandaged horse in the open on the 'hospital' (obviously a farm). All the vets, including two women, wear operating gowns from time to time. A British vet uses...
The wrecks of two aircraft which collided are shown, neither identifiable.The art students, including girls, are in fancy dress. They play leapfrog, improvise a foxtrot, and play up for the camera.The...
(Reel 1) A panorama of Gaza under British occupation. (The two ships described as shallow draft monitors which bombarded Gaza are HMS Moth and HMS Caddis Fly (?) serving in Mesopotamia.) The ruins of ...
I. Medium shot as V/W Class destroyer crosses the screen, and pan right to long shot of line of four Iron Duke Class (?) battleships. Medium shot off port beam of HMS Renown underway. Royal Sovereign ...
Opening medium shot of Queen Elizabeth Class battleships lying anchored in quarter line, dressed overall, with crews manning the sides. King George V reviews "Britain's Sure Shield" - medium and mediu...
Paul Wegener
Dita Parlo, Gustav Fröhlich
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
Paul Wegener, Pola Negri
Still from "Das Liebesbarometer"
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
"'Um das grosse Erbe'. Aufhebung eines Filmverbots", Der Kinematograph, 549, (1917), S. 11-14.
Universum Filmverleih, Söhne des Volkes, Der Kinematograph, 620, (1918), S. 3. "Der bisher unter dem Titel 'König des Lichts' angekündigte Film...der neue Film für die neue Zeit"
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 550, (1917), S. 15-17. Rezension aktueller Filme. Interessant ist, dass die russische Gesellschaft filmisch thematisiert wird. Karl Schneider,...