A couple's suffering finally comes to an end when Jean, having lost his memory through shell shock, sees the cross of shame on Jenevieve's breast, gets his memory back and the two pledge their troth.
War-time report, probably released in August 1919.
Report on Poincaré's presidential visit to Belgium after the First World War.
Report on Poincaré's presidential visit to Belgium after the First World War.
News item showing the visit of King Christian X from Denmark to Belgium.
"Propaganda film consisting of newsreel items and fragments of fiction films about the destiny of ""poor little Belgium"" at the beginning of the war. Although the original nitrate film has two langua...
German propaganda documentary about the operations of the U-35, a German U-boat during World War One. This is a French version, together with the British version, released in november 1918.
Newsreel issue related to the commemoration of the First World War.
First World War commemorative parade, in attendance of members of the Belgian royal family.
Still with Alice Verden
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Schumacher, Carl. "Zur 'Kinodramatik'." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 63-64. Schumacher stellt die Abwesenheit von Dialogen als das Hauptproblem...
Der Soldat und das Kino, Der Kinematograph, 420, (1915), S. 11-12. In vielen Kinos würden Soldaten auf Heimaturlaub einen Großteil des Publikums bilden. Viele Kinobesitzer würden glauben, dass dies...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.