I. 'THE FIGHTING DUMMY. C.S.M.I. Kenna invents a new method of teaching how to bayonet "Brother Boche".' MS of Kenna with rifle and bayonet as he dances about a dummy figure holding a wooden lance, th...
I. 'QUEEN AND MUNITIONETTES. The girl War Workers of Coventry gave Her Majesty a rousing welcome. She was deeply interested in all phases of their life.' The Queen, accompanied by company dignitaries,...
I. 'WOMEN FOR THE FRONT. Girls of the Womens Legion leaving London to take up their duties in France. They are as plucky as the men and march like soldiers.' MS as uniformed women leave building to fa...
I. 'Admiralty Official Film. "GUN POWER" The enemy has already learned how terrible is our gun power. Here the great guns of a super battleship are trained seaward where floats the greatest assembly o...
I. 'OBSEQUIES OF THE KING'S UNCLE. Prince Christian buried with full military honours in St. George's Chapel Windsor.' HA as military band (men of the 2nd Life Guards and Coldstream Guards) approaches...
I. 'NOTABILITIES. THE U-MEN AND THE MEN-U. Sir Arthur Yapp with the famous clock which registered the subscriptions during his hurricane campaign for the Y.M.C.A.' MS profile of Sir Arthur at his desk...
I. 'HOT STUFF FOR FRITZ. An ammunition train of 9.2 shells going up to the Front.' HA as train passes diagonally left to right pulling open wagons filled with 9.2-inch shells and ammunition boxes - so...
I. 'ON THE CAMBRAI FRONT. Rushing up ammunition, building new roads and consolidating our gains.' Artillery limber crosses muddy ground at the gallop, while another stands in mid-screen, apparently bo...
Still with Alice Verden
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Schumacher, Carl. "Zur 'Kinodramatik'." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 63-64. Schumacher stellt die Abwesenheit von Dialogen als das Hauptproblem...
Der Soldat und das Kino, Der Kinematograph, 420, (1915), S. 11-12. In vielen Kinos würden Soldaten auf Heimaturlaub einen Großteil des Publikums bilden. Viele Kinobesitzer würden glauben, dass dies...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.