Film restored in collaboration with Cinémathèque de Toulouse.
Film restored in collaboration with CNC - Service des Archives du Film.
Industrial film about the production process of grenades during the First World War. The work is predominantly done by women.
Newsreel images from the First World War.
Short reportage about the production of grenades by women.
Comical detective featuring a banker who calls in the help of a female detective to round up the gang "The Black Hand"
Comical intrigues around a policeman who lends out his trousers for film shootings.
Napoleon is called up to the army, and says goodbye to Sally, and to the people in the film studio. He leaves. But Sally quickly chases after him, and together they arrive at "Fort Skiddoo". The chaot...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Behne, Adolf. „Kino und Geschichtsklitterung.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 15-17. A.B. beschreibt den historischen Film als Genre, das wie g...
"Hu-hu ! Wir schröcklich ! (mit'n „ö“)", Der Kinematograph, 490, (1916), S. 20(?). Entgegnung auf die Behauptungen des Abgeordneten Werner-Giessen, die Flut an Krimis in den Kinos schade der Mor...
Messter Film GmbH, Zum 70. Geburtstag Generalfeldmarschalls von Hindenburg, Der Kinematograph, 561, (1917), S. 18-19.