A British film recording the visit of King George V, accompanied by his son Prince Albert (later George VI), on a tour inspection of several British battleships in an unnamed location (possibly ...
Queste manovre si sono svolte tra l'isola della Sardegna - più precisamente il Golfo di Aranci, dove il nemico aveva collocato la base delle sue operazioni - e Genova, che è stata bombardata. ...
A trip to Trieste and its surroundings following the tracks of three great writers: Scipio Slataper, Italo Svevo and Umberto Saba.
L'arte e la vita del pittore Pietro Morando. Morando, ottantenne, cammina leggendo il giornale, arriva al suo studio situato nel centro della vecchia Alessandria. Nel cortile saluta un vicino, s...
From 1891 to 1945, a popular form of iconography thrived next to the official one documenting Italy’s political and social life. This alternative iconography can be found in humorous and satir...
Il documentario ripercorre le tappe della produzione artistica del pittore Carlo Carrà illustrando alcune delle sue opere più note. Nato a Quargnento (Alessandria) nel 1881, Carrà nelle prime...
Robinet corteggia una fanciulla che sta tirando le reti a riva. Il padre della fanciulla pretende però che la figlia si metta con un pescatore, quindi Robinet si traveste e intraprende la profe...
"Difficoltà d'ogni genere si opponevano alla riproduzione cinematografica della vita degli animali marini, dovute anche alla piccolezza di questi esseri, altre alla loro straordinaria trasparen...
Wide shot of a hospital corridor. Nurse Tonička (actress: Truda Grosslichtová) stands in the middle of the corridor clasping hands with Corporal Bartoněk (actor: Jiří Vondrovič), whose other arm...
Medium shot of several men sitting around a table with a half loaf of bread and a carafe of water. On the left sits Sakař (actor: Jindřich Plachta) with a bandaged neck. To the right sit Vyskočil (...
Wide shot of a corridor. Standing in front of the door to Dr. Šrámek's office are Nurse Mathilde (actress: Adina Mandlová) and Rjepkin (actor: Vladimír Borský) flanked by Austrian military guards...
View of an office. A colonel of the Austrian army (actor: Jaroslav Marvan) and Dr. Šrámek (actor: František Smolík) are standing at a desk. Behind Šrámek are two military guards (on the right, a...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) is sitting at a desk and pointing at another doctor standing on the opposite side of the desk. Rjepkin (actor: Vladimír Borský) is st...
Wide shot of a corridor and a door with a sign indicating "MUDr. Fr. Šrámek." Standing in front of the door are nurse Mathilde (actress: Adina Mandlová), First Lieutenant Liška (actor: František ...
Lieutenant Rjepkin (actor: Vladimír Borský) is lying on a hospital bed in the foreground. Three figures are standing over him: Nurse Mathilde (actor: Adina Mandlová) on the left, and doctors Šrám...
View of a hospital room. In the centre of the image, cadet Severa (actor: Stanislav Strnad) is lying on a bed and hugging his mother (actress: Marie Ptáková), who is sitting next to him. Rjepkin is ...
O. Verf.. "Filmempfehlungen der Lichtbilderei GmbH M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1917). Die genannten Filme (Quo Vadis, Die Jungfrau von Orle...
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...