The documentary reconstructs World War I through the letters of fighting soldiers. Both the situations in Italy and in other warring nations are taken into consideration.
Until today one of the most mysterious figures in Italian cinema has been, without a doubt, Lucio D’Ambra. Recent finds of his works permit a more accurate outline of a personality capable of ...
An evening at winter’s end: in Veneto, in the countryside of Treviso (in Zero Branco) the farmers have prepared bonfires for the feast of bread and wine, a propitiatory rite for a good year. T...
Costruito quasi interamente con illustrazioni d'epoca commentate dalla voce fuori campo, il film mette in luce i contrasti fra Garibaldi da un lato e Cavour con i Savoia dall'altro. Dopo i primi...
Near the bridges of Valle di Maddaloni (near Caserta), a teacher reads an excerpt from G.C. Abba’s “Noterelle di uno dei Mille” to a group of children. The excerpt is about the battle of t...
Un classico del "diva film" con la coppia romantica Francesca Bertini e Gustavo Serena, basato su un romanzo parzialmente autobiografico di Alexandre Dumas figlio pubblicato nel 1866. Questa sto...
Half a century of history on the pages of the famous comic magazine “Il corriere dei piccoli”.
Parti frammentarie. Dopo i ritratti del principe ereditario Alessandro I di Jugoslavia (Alessandro Karađorđević) e del capo di stato maggiore dell'esercito serbo Petar Bojović, immagini dell...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Rennert, Malwine. "Kleopatra, Herrin des Nils; Die letzten Tage von Byzanz." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 65-68. Rennert lobt „Kleopatra“ f...
Warstatt, Willi. "Das künstlerische Problem in der Photographie und in Der Kinematographie. II." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 32-34. Warstatt be...
"Eiko in Front !", Der Kinematograph, 454, (1915), S. 15-16. Bericht über die neuesten Wochenschaubilder vom Eiko.
Der Zensur ist tot- es lebe die Zensur !, Der Kinematograph, 623, (1918), S. 17-18. Die Abschaffung der Zensur stelle Filmemacher vor die Frage, was derzeit erlaubt sei und was nicht. Es solle keine Z...