The film emphasises the pre-war uniqueness of Britain, rich, insular, with a strong trading position and a free democracy united under the constitutional monarchy. The only pre-war violence comes in t...
(Reel 1) Training the New Army - "cheery non-slackers" undergo PT, drill and bayonet practice, mounting and sabre drill for cavalry. (Reel 2) Manufacture of a 15-inch naval gun and firing trials. (Ree...
The wife of Lőrinc Gáthy (Mr. Wickfield in the Croatian version) dies in childbirth. A female relative offers to take care of the motherless child and the household, but Gáthy declines the offer be...
I. The build-up to war from the earliest days of film record, showing the various crowned heads of Europe.II. The Balkan wars of 1912, the development of Germany's Navy, and the inauguration of Presid...
(Reel 1) The training of a naval cadet - Pangbourne, HMS Worcester, HMS Medway. (Reel 2) Scenes from the building of a merchant vessel. Shots of a Standard Tanker being launched on the Clyde, female d...
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
American soldiers sent to France march with the American flags in the streets of Paris.
A soldier with cannon in a trench during the battle of Terron.
Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...