La voce fuori campo, con accento dialettale, è quella di un emigrato del sud Italia in America, che racconta come la prima cosa che all'estero si rimpiange della madrepatria sia l'olio. Si vede...
01 – Cinema (Roma, 16/11/1976) Sulle pagine di alcuni quotidiani, articoli che parlano della crisi che sta attraversando il cinema italiano. L'attrice Agostina Belli, sul set cinematografico, ...
Ricostruzione degli eventi principali della prima guerra mondiale, con particolare attenzione alle vicende italiane, un largo utilizzo di grafici, cartine, illustrazioni, fotografie, e il freque...
Livorno was just a lively center of Macchiaioli art as Florence. Many artists painted in Livorno including Cristiano Banti, Giovanni Boldini and, on the most painted waterfront in Italy, Vincenz...
Il film, utilizzando materiali iconografici di repertorio, riprese sui luoghi reali e ricostruzioni narrative in assenza di personaggi, rievoca gli episodi più significativi della seconda guerr...
The work and the life of the writer Giovanni Boine.
Some moments of Umberto Saba’s poetry.
Si ricostruisce la vita di Giuseppe Melchiorre Sarto (1835-1914), nominato papa nel 1903, attraverso fotografie e immagini dei luoghi in cui visse. La prima parte è dedicata a Riese, in provinc...
View of a restaurant filled with guests, primarily Austrian officers. Nurse Mathilde (actor: Adina Mandlová) is sitting in the centre background and behind her are seated musicians playing instrument...
Medium shot of an Austrian soldier, Dr. Šrámek (actor: František Smolík), Nurse Mathilde (actress: Adina Mandlová), and other doctors standing by a desk in an office.
Wide shot of an Austrian soldier, Dr. Šrámek (actor: František Smolík), Nurse Mathilde (actress: Adina Mandlová), and other doctors standing by a desk in an office.
Medium shot of two nurses. Tonička (actress: Truda Grosslichtová) is holding a wash basin with a sponge and Mathilde (actress: Adina Mandlová) is washing the face of a lying patient. In the backgro...
Wide shot of a café. Austrian officers sit around tables on the right and left (second from left is actor Jaroslav Marvan). Dr. Šrámek (actor: František Smolík) is standing next to the table on t...
View of a hospital room. Infantryman Sakař (actor: Jindřich Plachta) is lying on a bed with a bandaged neck and closed eyes. Leaning over him to the left is infantryman Tlamicha (actor: Theodor Piš...
In the foreground, Lieutenant Rjepkin is lying on a hospital bed. Two doctors and Nurse Mathilde (actress: Adina Mandlová) are standing over him. Dr. Klíma (actor: Karel Veverka) has a stethoscope i...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) in civilian clothing and Dr. Šrámek (actor: František Smolík) in an officer's uniform. They are standing in a corridor.
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 633, (1919), S. 49-50. "Die Lieblingsfrau des Maharadschas" wird als sentimentaler Kitsch abgetan. "Irrungen" handle vom Kampf...
Luxor, Sylva: "Kino, Monarchie und „Vorwärts“" Der Kinematograph 389 (1914). Entgegnungen auf die Vorwürfe der sozialdemokratischen Presse, dass das Kino die Herrschaftsinteressen der Monarchie ...
Häfker, Hermann. "Der Weg zur Kinodramatik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/ 1914). H.H. erklärt den Film zu einer anderen Künsten gegenüber gleichran...
Tannenbaum, Herbert. "Probleme des Kinodramas." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 60-63. Tannenbaum erörtert die Möglichkeiten des Films und probl...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...