I. (Reel 5) Impressionistic to the point of incoherence. Starting with troops disembarking at a harbour. Marching columns, some of them identified: the Devonshire Regiment, some Scots, the Bedfordshir...
The King arrives at Calais and meets various military and civilian dignitaries. He is taken to General Haig's château at Beauquesne where with Haig and the Prince of Wales he meets President PoincarÃ...
The King, in Field Marshal's uniform and unaccompanied by other members of the Royal family, arrives at Calais on HMS Whirlwind on 5 August. Three days later he inspects British and US pilots of RAF 1...
(Reel 1) Near Bapaume a German "anti-tank gun" lies in an unidentifiable wreck with its crew dead beside it. Shells burst in the distance. Two 6-inch Mk VII guns are drawn by Holt tractors to new posi...
(Reel 1) Most of the scenes are of Indian troops of 15th Cavalry Brigade, 5th Cavalry Division. Also shown in the advance are the Nottinghamshire Battery, Royal Horse Artillery and 'A' Battery of the ...
I. The film is outspoken, "The evidence - both documentary and otherwise - is now ample to prove that Germany forced this great and terrible War upon humanity to secure for herself the domination of t...
I. The film is often disjointed, but covers the transfer of American manpower and matériel across the Atlantic, culminating in their first major engagement in the Battle of Château-Thierry in June 1...
(Reel 1) Albert Cathedral, mid-1916. The Canadian 6th Brigade, 2nd Division, led by Brigadier-General H D B Ketchen (past German prisoners) towards the battlefield, halts to rest at La Boisselle cross...
Still from "Die einsame Insel"
Paul Wegener
Paul Wegener, Lyda Salmonova
Screenshot from "Guerre 1914-1915. Le General Joffre en Alsace"
Still from "Der Graf von Cagliostro"
Screenshot from "Mit L.35 über Berlin und Potsdam"
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...