Mr Gompers with two other labour leaders comes up the ladder and onto the quarterdeck of HMS Queen Elizabeth. Admiral Sir David Beatty is there with his staff to shake hands and meet him.The King and ...
(Reel 1) The film opens by stating that as the basis for the expansion of the Army in wartime the TA "may be a factor in the maintenance of peace". Men of 4th Battalion, Northamptonshire Regiment, mar...
Chang's Army of Fengtien, with Russian assistance, advances down the coast of the Gulf of Chihli, the territory of the warlord Wu Pei-Fu of Peking. Most of the battle sequences are clearly reconstruct...
A balloon of 23rd Kite Balloon Company defended by a 13-pounder anti-aircraft gun on a lorry mount. A crashed RE8 reconnaissance aircraft (compare with the same scene in IWM 68 MESOPOTAMIA - DIYALA RI...
(Reel 1) The icebreaker SS Canada brings the cameraman and his colleagues into Archangel harbour in the middle of winter. The locals, in full furs, use sledges for transportation, some of them drawn b...
Uses of flying boats in the war, starting with a Felixstowe flying boat coming in to land at its base, probably Hamble, followed by a rare CE1 flying boat also landing. The main subject of the film is...
I. French language version of a newsreel of H S Cautley MP opening the municipal piggeries in London, June 1918. As a crowd watches, Cautley lights a fire under a bin in order to cook pigswill. He lad...
I. 'LONDON FLOWER FAIR. Lord Charles Beresford receives Royal party at British Ambulance Society's function in Trafalgar Square.' Admiral Lord Beresford in formal civilian dress talks with ex-Queen Am...
Exterior view of a train. Six Russian soldiers (prisoners of war) with Asian features are sitting or standing in the train's open door. Some of the soldiers are holding bread in their hands and all ar...
Wide shot of a café filled with Austrian officers. Some are sitting at tables and others are standing in the background, most of them hold glasses in their hands. Nurse Mathilde (actress: Adina Mandl...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) in the uniform of an Austrian officer sits at a desk and gazes at the nurse Mathilde (actress: Adina Mandlová), who is standing on the...
Medium shot of an Austrian soldier standing with an Austrian colonel (Jaroslav Marvan), Dr. Šrámek (František Smolík), and Lieutenant Rjepkin (Vladimír Borský). The soldier is pointing his bayon...
Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...
Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...
Wide shot of a church interior that has been converted into a military hospital. Wounded soldiers sit or lie on hospital beds lined up along the walls. Other patients sit at the two tables standing in...
Wide shot of a hospital room where doctors are making rounds. On the left are tables with bread and carafes of water. Chairs are standing around the tables. Five doctors stand in the middle of the roo...
L. Hamburger, Kriegsdramen, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 119. Die neu entstandene Gattung des Kriegsfilms zeichne sich durch übelsten Kitsch ...
O.Th. Stein, Kinematographische Kriegsberichterstattung, Film und Lichtbild, 3, (1914), S. 42-44. Der Film wird als sensationell bewertet, der Produzentenfirma Expreß-Films wird angeraten, diesen Weg...
Asta-Nielsen-Lichtspiele GmbH. „Bismarck. Die neuesten Aufnahmen aus den Kriegstagen.“ Der Kinematograph 400 (1914): 1. Werbung, mit dem Hinweis, dass der Stoff des Filmes den ernsten Kriegstagen ...
O. Verf.. "Die Kinematographie auf dem 85. Naturforschertag in Wien." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70-71. Meldung über den Einsatz von Filmen ...
Frankemölle, Wenzel. "In diesem Zeichen wirst du siegen." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-45. Frankemölle lobt den Historienfilm "In hoc signo v...