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Videos
(3077 Results)

SURRENDER OF THE GERMAN HIGH SEAS FLEET [Main]
1918
Imperial War Museums

The German fleet "comes out": battleships in line ahead; medium shot as Kaiser Class battleship passes below; medium shots and medium close-ups of battle cruisers - SMS Von der Tann, Derfflinger, Molt...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 370-1 (French version, fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 370-1 (French version, fragment) [alternative]

The parade waits to move off from Chamberlain Square. It includes a US Army colour party with one man dressed as 'Uncle Sam'. A banner proclaiming "Win The War Day" is draped over the Town Hall. The p...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 349-1 (fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 349-1 (fragment) [alternative]

A congregation including Robertson and the trainees comes out of King's College Chapel after a service. Robertson watches a drill demonstration on the backs at King's by the trainees, and presents dec...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 338-1 (long fragment) [Main]
1918
Imperial War Museums

The King and Queen, in an open landau, drive out of the gates of Buckingham Palace. Their escort is composed of mounted troops of all the Imperial forces: British, Indian and Australian horsemen leadi...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 359-1 (French version, fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 359-1 (French version, fragment) [alternative]

The men are in civilian clothes but march in formation and carry staves or other weapons. The captions say that these "misguided" men should be fighting for the British in the war for civilisation, an...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 360-2 (French version, fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 360-2 (French version, fragment) [alternative]

The King is escorted round the base by RAF officers. A groundcrew party hauls down a barrage balloon as he watches. Two other barrage balloons are seen floating side by side in the sky. The King leave...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 365-2 (French version, fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 365-2 (French version, fragment) [alternative]

At Rouen the King poses for a group photograph with Field Marshal Haig, Marshal Foch and General Pétain. At Third Army headquarters, Frohen-le-Grand, later in the day he decorates three men with the ...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 361-2 (French version, fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 361-2 (French version, fragment) [alternative]

The journalists watch a demonstration of trench fighting in the training trenches. They inspect the trenches. The men of the division march past, and their commander, Brigadier-General F S Meighan, ta...

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Images
(4430 Results)

Christa Hartungen
Film still
1917
DFF – Deutsches Filminstitut & Filmmuseum

Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)

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Der rote Baron
Film still
1917
DFF – Deutsches Filminstitut & Filmmuseum

Szene aus "Der rote Baron"

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Gebrochene Schwingen
Film still
1913
DFF – Deutsches Filminstitut & Filmmuseum

Still from "Gebrochene Schwingen"

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Die Claudi vom Geiserhof
Film still
1917
DFF – Deutsches Filminstitut & Filmmuseum

Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)

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Der Geiger von Meißen
Film still
1920
DFF – Deutsches Filminstitut & Filmmuseum

Still with Alice Verden

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Lola, die Apachenbraut. 1. Teil
Film still
1921
DFF – Deutsches Filminstitut & Filmmuseum

Still with Colette Corder (front, in the middle)

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Heimkehr
Film still
1928
DFF – Deutsches Filminstitut & Filmmuseum

Joe May (second from the left), Gustav Fröhlich (third from the left) on the set

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Die Claudi vom Geiserhof
Film still
1917
DFF – Deutsches Filminstitut & Filmmuseum

Henny Porten

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Texts
(661 Results)

Pathé Frères & Co.
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...

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Die künstlerischen Möglichkeiten des Films . Vortrag, 1916
Production material
DFF – Deutsches Filminstitut & Filmmuseum
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Filmprogramm von "Das Liebesbarometer"
Programme
1914
DFF – Deutsches Filminstitut & Filmmuseum
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Die Internationalität des Films
Article
1919
DFF – Deutsches Filminstitut & Filmmuseum

R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...

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Kino und Krieg
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...

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Tirol in Waffen ( Andreas Hofer)
Review
1913
DFF – Deutsches Filminstitut & Filmmuseum

Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...

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Das Filmdrama im Zeichen der Revolution
Article
1919
DFF – Deutsches Filminstitut & Filmmuseum

Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...

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Krieg und Kino
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...

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