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Videos
(3074 Results)

WAR OFFICE OFFICIAL TOPICAL BUDGET 338-1 (long fragment) [Main]
1918
Imperial War Museums

The King and Queen, in an open landau, drive out of the gates of Buckingham Palace. Their escort is composed of mounted troops of all the Imperial forces: British, Indian and Australian horsemen leadi...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 359-1 (French version, fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 359-1 (French version, fragment) [alternative]

The men are in civilian clothes but march in formation and carry staves or other weapons. The captions say that these "misguided" men should be fighting for the British in the war for civilisation, an...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 360-2 (French version, fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 360-2 (French version, fragment) [alternative]

The King is escorted round the base by RAF officers. A groundcrew party hauls down a barrage balloon as he watches. Two other barrage balloons are seen floating side by side in the sky. The King leave...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 365-2 (French version, fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 365-2 (French version, fragment) [alternative]

At Rouen the King poses for a group photograph with Field Marshal Haig, Marshal Foch and General Pétain. At Third Army headquarters, Frohen-le-Grand, later in the day he decorates three men with the ...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 361-2 (French version, fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 361-2 (French version, fragment) [alternative]

The journalists watch a demonstration of trench fighting in the training trenches. They inspect the trenches. The men of the division march past, and their commander, Brigadier-General F S Meighan, ta...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 363-1 (French version, fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 363-1 (French version, fragment) [alternative]

Australia House is at the east end of the Strand. Australian soldiers march to the building. King George arrives in his carriage with Queen Mary. A view of the facade of the building with the King and...

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MESOPOTAMIA - DIYALA RIVER, KIFRIE ROAD, TUZ KERMATLI (sic) [Main]
1918
Imperial War Museums

(Reel 1) A poor quality scene showing a company of Burma Sappers building a trestle bridge over the River Diyala on 16 April. Punjabis (of 14th Indian Division ?) making chapatis, also on 16th April. ...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 341-1 (Spanish version, fragment) [Main]
1918
Imperial War Museums
Other title(s):
- PICTORIAL NEWS (OFFICIAL) 341-1 (Spanish version, fragment) [alternative]

The Lord Mayor opens the "Bank", which consists of the shell of a Mark IV Tank turned into a bank to sell War Bonds (no good shot of the tank). Sir Eric Geddes, the First Lord of the Admiralty, queues...

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Images
(4430 Results)

En Artois. Le Drapeau de Chasseurs
Film still
1915
DFF – Deutsches Filminstitut & Filmmuseum

Screenshot from "En Artois. Le Drapeau de Chasseurs"

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Rübezahls Hochzeit
Film still
1916
DFF – Deutsches Filminstitut & Filmmuseum

Paul Wegener, Hedwig Gutzeit

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Der Golem
Film still
1914
DFF – Deutsches Filminstitut & Filmmuseum

Still with Henrik Galeen (first on the left), Paul Wegener (first from the right)

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Rübezahls Hochzeit
Film still
1916
DFF – Deutsches Filminstitut & Filmmuseum

Paul Wegener, Lyda Salmonova

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Der Golem
Film still
1914
DFF – Deutsches Filminstitut & Filmmuseum

Still with Paul Wegener (in the middle)

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Zu Dir gehöre ich
Poster
1918
DFF – Deutsches Filminstitut & Filmmuseum

Film poster

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Der Rattenfänger
Film still
1918
DFF – Deutsches Filminstitut & Filmmuseum

Paul Wegener

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Rübezahls Hochzeit
Film still
1916
DFF – Deutsches Filminstitut & Filmmuseum

Still from "Rübezahls Hochzeit"

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Texts
(661 Results)

Die richtigen Films zur richtigen Zeit
Advertising material
1914
DFF – Deutsches Filminstitut & Filmmuseum

Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.

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Von der Kinematographenzensur
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Brepohl. "Von der Kinematographenzensur." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Bericht über den Fall eines Kinobesitzers, der in der Zensur, sofern ...

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Der Kampf um den Kino
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Sellmann, Adolf. „Der Kampf um den Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 97-100. Das Kino sei vor allen Dingen von Feinden von außen bedroht, v...

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Englands Heer. Der englische Armee-Film
Advertising material
1914
DFF – Deutsches Filminstitut & Filmmuseum

O. Verf.. „Englands Heer. Der englische Armee-Film.“ Der Kinematograph 374 (1914).

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Entwicklung und Bedeutung des Kinowesens
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

O. Verf.. "Entwicklung und Bedeutung des Kinowesens." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 70. Statistische Zahlen, die die Bedeutung und Verbreitung d...

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Der Arbeiter und Soldaten Rat
Article
1918
DFF – Deutsches Filminstitut & Filmmuseum

Der Arbeiter und Soldaten Rat, Lichtbildbühne, 49, (1918).

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"Die Tote" (Retaggio d'odio)
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Rennert, Malwine. "Die Tote“ (Retaggio d'odio), Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III,8, (1913 /1914), S. 203-204. Rennert sieht den Film als extrem gefährlich und mo...

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Wie meine Schülerinnen die Filmstücke beurteilen
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Schibas, Franz. „Wie meine Schülerinnen die Filmstücke beurteilen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 37-39. Schibas schildert, wie seine Schül...

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