The general area of Ypres. Filmed from just outside the town itself, shells falling on buildings on the outskirts. Two Mark V tanks, one Male, one Female, both carrying soldiers, move over open countr...
The town is shown from a distance, then in close-up. The suburbs are burnt out and deserted. The main square is relatively undamaged. The collegiate church and the Church of Saint Martin show consider...
The canals running through the town are undamaged but the main girder bridge has been brought down. British soldiers of II Corps wait in the main square.Civilians watch while the British, of 40th Divi...
The map, in stop-frame action, shows the German invasion of France and Belgium in 1914, followed by a more detailed version of the Allied advance to victory between July and November 1918. The Allied ...
The body of Marshal Foch lies in state at the Invalides. King Albert of Belgium and then a crowd of people file past to pay their last respects. For the procession the streets are lined with soldiers....
(Reel 1) It is 1914 and the outbreak of the war. Mr Smith, a prosperous businessman, is starting to lose staff who have volunteered for the Army and he refuses women replacements. He also prevents his...
Medium shot of Thornycroft V Class destroyer steaming at speed. Medium long shot off port quarter of two battleships - the nearest is HMS Canada preceded by an Iron Duke flying a kite balloon. Long sh...
(Reel 1) Opening pan across fleet anchorage (note HMS Neptune). The King is seen onboard a succession of battleships, watching marchpasts of the crews - HMS Queen Elizabeth (Colossus Class in backgrou...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Kritik aus Breslauer Zeitung (15.07.1917) zu Der Golem und die Tänzerin.
Monopolfilm-Vertriebs-GmbH..“Patriotisches Kriegs-Programm.“ Der Kinematograph 399 (1914): 5. Werbung für das aktuelle Filmprogramm der Monopolfilm GmbH.
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
Das Wichtigste der Woche, Der Kinematograph, 670, (1919), S. 25-26. Seit dem 2.11.1919 gebe es in Berlin eine freiwillige Filmzensur. Die USPD habe im Reichstag den Antrag gemacht, die Kinos zu versta...
O. Verf.. „Kino und Kirche.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 73-74. Beschlüsse der Fuldaer Bischofskonferenz von 20.8.1913. Schulpflichtigen ...
Dr. Hellwig. "Plakatwesen in Bayern." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Das Anbringen von Filmplakaten sei ohne polizeiliche Genehmigung noch imme...
Kriegsabenteuer eines Kino-Operateurs, Der Kinematograph, 437, (1915), S. 14-15. Erlebnisbericht des Müncher Kameramanns Martin Kopp von seinen Erlebnissen als Kriegsberichterstatter.
P.l., Kinematographische Kriegsberichterstattung, Erste Internationale Filmzeitung, 9.Jg.,Nr.22, (1915), S. 27. Die filmischen Kriegsneuheiten seien anfangs sehr begeistert aufgenommen worden, würden...