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Videos
(3074 Results)

Gita al Montenegro, una
Documentary film
1910
Cineteca di Bologna

Panoramica su Cettigne, capitale del Regno del Montenegro, imbandierata per i festeggiamenti a Re Nicola I. Guardie armate, donne in costumi tipici. Al campo, tende, soldati in marcia con fucile...

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Un poeta e due eroi
Docu-fiction
1960
Cineteca di Bologna

This documentary is dedicated to Luigi Mercantini’s poetry and to the events of the Risorgimento related to it. Particular reference is made to “Spigolatrice di Sapri” and to “Inno di Ga...

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Dalla Villa Reale di Rjeka (Montenegro)
Documentary film
1912
Cineteca di Bologna

Vittorio Emanuele III di Savoia e la reale consorte Elena del Montenegro in visita ufficiale al re del Montenegro Nicola I, presso la villa reale di Rijeka Crnojevića. Il principe Ereditario Da...

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Granatieri di Sardegna
Documentary film
1955
Cineteca di Bologna

The history and life of the military corps the Grenadiers of Sardinia.

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Paesi balcanici in fermento : Il Montenegro, i
Documentary film
1912
Cineteca di Bologna

Strade di Cettigne, capitale del Regno del Montenegro. Il Palazzo dei Ministri e delle Regie Poste. Il nuovo palazzo della Legazione Italiana. Il Teatro Reale. Il Palazzo Reale. Nicola I, Re del...

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Vienna (testimone d'Europa)
Documentary film
1960
Cineteca di Bologna

The film reviews the history and art of Vienna and the empire of which it was the capital for centuries, ending with a vision of the contemporary city.

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Boccioni e i Futuristi
Documentary film
1961
Cineteca di Bologna

Marinetti, definito da Boccioni “poeta e impresario”, dopo la pubblicazione del primo manifesto futurista su “Le Figaro” (1909) diffonde il Manifesto tecnico della letteratura futurista,...

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Spielberg
Documentary film
1964
Cineteca di Bologna

Špilberk is a picturesque castle dominating the modern city of Brno (Czech Republic). Over the course of time it has been a fortress, prison, museum and a place for torture. During the Inquisit...

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Images
(4430 Results)

Poručík Alexander Rjepkin - picture 53
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 53

Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...

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Poručík Alexander Rjepkin - picture 55
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 55

Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.

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Poručík Alexander Rjepkin - picture 56
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 56

Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.

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Poručík Alexander Rjepkin - picture 57
Set photo
1937
Národní filmový archiv
Other title(s):
- Poručík Alexander Rjepkin - picture 57

Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.

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Za československý stát - picture 5
Set photo
1928
Národní filmový archiv
Other title(s):
- Za československý stát - picture 5

Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...

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Za československý stát - picture 11
Set photo
1928
Národní filmový archiv
Other title(s):
- Za československý stát - picture 11

Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.

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Za československý stát - picture 12
Set photo
1928
Národní filmový archiv
Other title(s):
- Za československý stát - picture 12

After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).

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Za československý stát - picture 17
Set photo
1928
Národní filmový archiv
Other title(s):
- Za československý stát - picture 17

Farmer Tomeš and his son Jeníček with the oxcart full of straw.

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Texts
(661 Results)

Fort mit den letzten Überresten polizeilicher Gewalten
Article
1918
DFF – Deutsches Filminstitut & Filmmuseum

Fort mit den letzten Überresten polizeilicher Gewalten, Die Filmwelt, 12.Jg., 49, (1918). Aufruf, dass nach Wegfall der Zensur auch alle anderen polizeilichen Verordnungen wie Werbeverbote oder das k...

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Neuheiten auf dem Berliner Filmmarkte
Review
1917
DFF – Deutsches Filminstitut & Filmmuseum

Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.

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Der ewige Frieden Pax Aeterna
Advertising material
1918
DFF – Deutsches Filminstitut & Filmmuseum

Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68

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Die Welt ohne Hunger
Advertising material
1918
DFF – Deutsches Filminstitut & Filmmuseum

Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.

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Propaganda-Filme
Article
1917
DFF – Deutsches Filminstitut & Filmmuseum

Propaganda-Filme, Der Kinematograph, 571, (1917), S. 19-20. Deutsche Propagandafilme seien noch immer den feindlichen unterlegen. Man müsse zu denselben Waffen greifen, wie es die Feinde tun und die ...

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Staat und Kino
Article
1916
DFF – Deutsches Filminstitut & Filmmuseum

Staat und Kino, Der Kinematograph, 514, (1916), S. 11-12. Erörterung der Idee, der Staat könne die Filmproduktion in seine Hände nehmen. Als Beispiel wird die Eisenbahn genommen, die auch zunächst...

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Ein Friedensfilm
Review
1918
DFF – Deutsches Filminstitut & Filmmuseum

Arthur Loening, Ein Friedensfilm, Lichtbildbühne, 50, (1918), S. 40 & 56. Der Film greife die aktuelle Sehnsucht nach Frieden auf. Wie aber der Westfälische Frieden einen Machtzuwachs für Frankreic...

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Suchomlinow
Advertising material
1917
DFF – Deutsches Filminstitut & Filmmuseum

Mercedes-Film GmbH, Suchomlinow, Der Kinematograph, 566, (1917), S. 27.

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