The Italian General Pecori and General Maistre review the Sassari Brigade of the French Army, passing between the ranks. As the review is in progress a French Spad 13 overflies the parade twice, quite...
Well behind the lines, a mass of soldiers, most probably from 123rd Division semi-posed as if waiting for transport. A senior officer is with them, possibly Lieutenant-General de Riols de Fonclare, th...
Part of the area is flooded. A marching column sets out for the front lines. Engineers knock in stakes for wire defences in the second line and fix wire to them. A relief patrol moves up in single fil...
The location is a town behind the Western Front. The conscripts, still in civilian clothes, march forward with US soldiers to lay wreaths on the graves of French and US soldiers.Outside the cathedral ...
Refugees watch horsed transport move down a road by a shell dump. The gunners attend to their 155mm howitzers. Lorries move up another road. Gunners check that a 155mm Schneider gun is properly limber...
The Marquis, as a descendant of de Rochambeau, watches the ceremony. The actual presentation is made by the Marquise, watched by a number of civilians. Following the presentation the regiment marches ...
The film opens with a French and US soldier shaking hands, fading into a statue of Lafayette with Washington. Scenes of American troops disembarking at a harbour to substantiate the claim that there a...
Franchet d'Esperey is met from his train by various military representatives of the Allies, British, Italian and Serbian. Franchet d'Esperey goes on with his staff to review part of the French conting...
Still with Carl Clewing (front, on the left)
Paul Kronegg, Traute Carlsen, Franz Herterich (from left to right)
Still with Henny Porten
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...