I. The film starts with US and French troops parading through the Place d'Jena and the Avenue du Président Wilson in Paris on 4th July, followed by French troops clearing up bomb damage after a Germa...
Troops repairing bridges throw rocks to splash the camera. Varennes (where, in July, 3rd Division earned the title 'Marne') showing extensive damage. An American discovering a German booby trap (acted...
A temporary British cemetery in France, possibly Thelus. The camera closes in to a cross marked "A British Soldier". Then the coffin of the Unknown Warrior being carried to the quay at Boulogne by sen...
Troops of a Moroccan division behind the lines in Champagne march in road column, led by their band, through a village to their sports. The sports include a football match and a mule race as well as a...
A view of the plain of Mulhouse from the town of Thann. The town is attractive and shows no signs of war. A young lady wearing traditional Alsatian costume holds an American flag in honour of the US e...
Three British, one French and three Belgian soldiers walk through an archway. French soldiers of I Corps, on foot and in lorries, pass in both directions down an undamaged street with Belgian troops. ...
Three soldiers, probably of 5th Artillery Regiment, relax on top of a pile of rubble and make souvenirs from expended 75mm shell-cases. Using light hammers and punches they work intricate designs of w...
The Minister of Agriculture, Ferdinand David, and the former deputy for Colmar, the Abbé Wetterlé, leave the town hall with their followers, led by three young girls dressed in the regional costumes...
Still from "Der Feind im Land"
Still from "Der Geiger von Meißen"
Still from "Der Schwur der Renate Rabenau"
Lyda Salmonova, Paul Wegener
Paul Wegener
Still from "Der Film von der Königin Luise. 2. Abteilung: Aus Preußens schwerer Zeit"
"Der Golem, wie er in die Welt kam" (1920)
Film poster
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...
Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...
Hermann Häfker, Kinematographie und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 1-3. Der Krieg sei der Sache der Kinoreform förderlich, weil die aus...
Waldner, Dagmar. "Kino und Wahlagitation." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 174. Bericht über den Einsatz des Films, um die Wähler über die Notwend...
Große Protest-Versammlung, Der Kinematograph, 678, (1920), S. 3. Aufruf zu einer Protestveranstaltung gegen die Verstaatlichung der Kinos.