I. The film starts with US and French troops parading through the Place d'Jena and the Avenue du Président Wilson in Paris on 4th July, followed by French troops clearing up bomb damage after a Germa...
Troops repairing bridges throw rocks to splash the camera. Varennes (where, in July, 3rd Division earned the title 'Marne') showing extensive damage. An American discovering a German booby trap (acted...
A temporary British cemetery in France, possibly Thelus. The camera closes in to a cross marked "A British Soldier". Then the coffin of the Unknown Warrior being carried to the quay at Boulogne by sen...
Troops of a Moroccan division behind the lines in Champagne march in road column, led by their band, through a village to their sports. The sports include a football match and a mule race as well as a...
A view of the plain of Mulhouse from the town of Thann. The town is attractive and shows no signs of war. A young lady wearing traditional Alsatian costume holds an American flag in honour of the US e...
Three British, one French and three Belgian soldiers walk through an archway. French soldiers of I Corps, on foot and in lorries, pass in both directions down an undamaged street with Belgian troops. ...
Three soldiers, probably of 5th Artillery Regiment, relax on top of a pile of rubble and make souvenirs from expended 75mm shell-cases. Using light hammers and punches they work intricate designs of w...
The Minister of Agriculture, Ferdinand David, and the former deputy for Colmar, the Abbé Wetterlé, leave the town hall with their followers, led by three young girls dressed in the regional costumes...
Still from "Die Strafgefangene Nr. 63. Unschuldig verurteilt"
Still from "Dämonit"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Lyda Salmonova
Gustav Fröhlich, Lars Hanson (from left to right)
Still from "Rübezahls Hochzeit"
Nordisk Films GmbH, Jede Woche neue Kriegs-Aufnahmen, Der Kinematograph 406, (1914), S. 3. "Jede Woche abwechselnd neue Kriegsaufnahmen vom Westen und Osten (eigene Expeditionen)".
E. Osten, Kinematographie des Krieges, Erste Internationale Filmzeitung, 9.Jg., Nr.21, (1915), S. 16-18. Bericht über den Einsatz aus dem Flugzeug aufgenommener Filme zur Aufklärung feindlicher Stel...
Eiko Film. „"Eiko-Woche“ ist die beste Kriegsberichterstattung" Der Kinematograph 404 (1914): 1.
Rundschau, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 34-41. Berichte über Firmen, die mit Pathé Frères in Verbindung stünden und deshalb boykottiert we...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
O. Verf.. „Schliesst die Kinos nicht.“ Der Kinematograph 399 (1914): 3-4. Aufruf an die Kinoindustrie, die Kinos nicht zu schließen, da das Volk in Kriegszeiten Ablenkung brauche. Die Eintrittspr...