(Reel 21) The episode starts with 'Justice' and captioned newspaper clippings, "British forces in peril... more important than Kut". The decision to send the relief force on 4th April 1919 is reported...
The first third of the film is badly jumbled and shows repeated shots of the naval contingent (including the Royal Marines) led by Admiral Sir David Beatty, passing through Admiralty Arch and about to...
I. The film contrasts quotes from a German newspaper given as 'Westphalia Daily News' reporting the damage or destruction of prominent landmarks in the centre of London with film of those places taken...
(Reel 1) Partly through the limitations imposed on the filming of Japanese royalty and inside the various palaces, this film shows virtually nothing of the official ceremonies. The first half concentr...
Damage in the Roye-Soissons area, showing many of the smaller towns and villages. Destroyed fruit trees. A desecrated cemetery at Tergnier. Damaged houses at Coucy-la-Ville and Coucy-le-Château. The ...
I. A recruiting march by girls of the Women's Land Army in central London, April 1918. Members of the Women's Land Army form an escort for the Lord Mayor of London, Charles A Hanson, as he enters Sain...
(Reel 1) The departure of the Archduke (later Emperor) Karl with General Conrad von Hötzendorf from Vienna to inspect Austrian troops in the Tyrolean region, close to the Italian Front. Outside a hun...
The rail station at Châtel-Chéhéry near the Aisne on 11th October 1918 showing the limit of the German advance to Paris. A view of the town itself two days later. German prisoners of war at a camp ...
Still from "Eugen Onegin"
Szene aus "Die Claudi vom Geiserhof"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Szene aus "Westfront 1918"
Paul Wegener
Szene aus "Westfront 1918"
Lyda Salmonova
Paul Wegener (sitting) in "Der Student von Prag" (1913)
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...