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<p>Unidentified film, probably three different reportage films, with Danish intertitles:<br>The attack at Monticello.<br>A pigeon transports a message.<br>Alpine soldiers issue...
In preparion for war, German and French ships and hydroplanes are launched in Wilhelmshaven and Lorient. The war technology is depicted in an objective and proud manner, which today seems in stark con...
Still with Carl de Vogt (on the left, sitting)
Paul Wegener
Alice Verden, Erich Ponto (both front)
Golem-figures by sculptor Rudolf Belling
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Alice Verden
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
FILMEN is the most important Danish film magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year)
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 633, (1919), S. 49-50. "Die Lieblingsfrau des Maharadschas" wird als sentimentaler Kitsch abgetan. "Irrungen" handle vom Kampf...
Luxor, Sylva: "Kino, Monarchie und „Vorwärts“" Der Kinematograph 389 (1914). Entgegnungen auf die Vorwürfe der sozialdemokratischen Presse, dass das Kino die Herrschaftsinteressen der Monarchie ...