A re-examination of the text based on illustrations of various editions of “Pinocchio” by Carlo Collodi.
Episode of the series "Aviation in Brescia": airplane exercises featuring the pilots Curtiss, Rougier, Calderara, Blériot and Cobianchi.
Film restored in collaboration with Fondazione Cineteca Italiana.
This documentary puts together different moments of Pier Antonio Quarantotto Gambini’s poetic journey, pausing on the only work in verse by this writer from Trieste, “Racconto d'amore” (Lo...
Un tempo a Roma si trovavano moltissime osterie, spesso frequentate da avventori illustri, alcune sopravvivono ancora oggi, altre sono scomparse: in piazza Pollarola si trova l’albergo del Sol...
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform).
American soldiers sent to France march with the American flags in the streets of Paris.
Mobilization in Germany. German soldiers wave from the windows of the train before leaving for the front.
Czechoslovak volunteers on a small station in Siberia.
Czechoslovak volunteers relax - a run competition.
Technical troops maintained in good repair railway tracks - covering the underside of rails.
A monument with a stone lion - a symbol of Czech statehood- on the grave of fallen volunteers.
Welcome of the President T.G. Masaryk after his arrival in the country. On the monument of Jan Hus is a banner with the slogan "People of Jan Hus".
Rheinische Filmgesellschaft , Aus eines Mannes Mädchenjahren, Der Kinematograph, 645, (1919), S. 5.
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Schumacher, Carl. "Zur 'Kinodramatik'." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 63-64. Schumacher stellt die Abwesenheit von Dialogen als das Hauptproblem...
Der Soldat und das Kino, Der Kinematograph, 420, (1915), S. 11-12. In vielen Kinos würden Soldaten auf Heimaturlaub einen Großteil des Publikums bilden. Viele Kinobesitzer würden glauben, dass dies...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.