Preparations for the ascent of the captive balloon; observation officer fastens the parachute belt and climbs into the basket; orientation at the map board; checking the field telephone connection; as...
Close-up of a sergeant holding a football marked 2Y&L. Pan over the men of the battalion, lying, sitting or standing informally, with two Lewis machine guns in the front row. Two lance-corporals sitti...
Shots of London's famous buildings during the First World War.
Australian soldiers, probably of 5th Division, at the south end of the Saint Quentin tunnel at Bellicourt. A temporary bridge has been built just below the tunnel entrance. A view, from on top of the ...
Emperor Wilhelm II and empress Victoria of Germany on horses, escorted by horsemen, on their way to a parade at the Tempelhoferfeld in Berlin.
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.
Street scenes in Bethlehem, the Church of Saint Mary, the Gardens of Gethsemane, the Via Dolorosa, the Holy Sepulchre, the Valley of Kidron and (in silhouette) a tree where, according to legend, Judas...
Crime drama about the rivalry between two men regarding a new invention and a cute girl.
Still from "Der Weg ins Licht"
Cameron Monaghan, Nick Price, Chancellor Miller, Jonathan Pienaar (v.l.n.r.)
Siegfrieds Leichenzug (Entwurf). Tusche, Bleistift auf Zeichenkarton
Szene aus "2012"
German movie poster of "Das Herz des Piraten" (1987/88)
"Elefantenherz" (2002)
Trude Berliner
German movie poster of "Die Farbe der Sehnsucht" (2014-16)
Trailer (draft) for "Liebe", handwritten.
Dialogue list (excerpt) for "...und abends in die Scala".
Internal correspondence regarding "...und abends in die Scala".
Daily production report on the shooting of "Was eine Frau im Frühling träumt", No. 1, 02 May 1958.
Daily production report No. 19, 03 September 1964 on the shooting of "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...
Costume excerpt for "The Indian Tomb", part of "Chandra" played by Walter Reyer.
Daily production report No. 34, 16 February 1966 on the shooting of "Lange Beine - lange Finger".