"Let's face the facts - even Jesus was a street perfomer". Ordene kommer fra en ung violinist, som tjener penge til sine studier ved at spille på gaden. New York er fuld af optrædende. På gader og ...
Hvad stiller en amerikansk avis op, når internettet haler ind på det trykte medie og pludselig er landets primære nyhedskilde? Folkene bag "Page one" har fået en hidtil uset adgang til The New Yor...
In Lars von Trier's comedy the owner of an IT firm wants to sell out. The trouble is that when he established his firm he invented a non-existent company president to hide behind when unpopular steps ...
Kresten, newly wed, is on the threshold of a great career success in his father-in-law's company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in...
Natasja Juul in "Near and Elsewhere" (2018)
Filmplakat
Irmin Schmidt in "Can and Me" (2022)
Filmplakat
Enrique Fissin "Near and Elsewhere" (2018)
Sangay Rinchen in "The Farmer and I" (2013-16)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Ken Duken
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Imperator Film GmbH, Wenn frei das Meer für deutsche Fahrt !, Der Kinematograph, 556, (1917), S. 30.
Daily call sheet for 01 February 1966 for the shooting of "Lange Beine - lange Finger".
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
Dialogue list (excerpt) for "Die Privatsekretärin".