(Reel 1) The film's only caption, "Indian troops marching through Baghdad". They are wearing winter clothing. A British horse-drawn fire-engine leaves for a (staged ?) emergency. On the river there ar...
Mr. Anestis, an old coachman, doesn’t want to change professions, even though cars now rule the road. He lives together with an orphan girl, Annoula, who was the beloved of a boy named Nikos, who ha...
Emperor Wilhelm II and empress Victoria of Germany on horses, escorted by horsemen, on their way to a parade at the Tempelhoferfeld in Berlin.
Romantic adventure film in which Betty, who dreams about pirates, and her father, a gullible professor, are tricked by a bunch of real pirates. They are rescued by a young man who has a crush on Betty...
Mary is in love with a young farmer, who goes abroad to earn money. During his absence, Mary's family is assailed by disease and poverty. Since she has not heard from her beloved for a long time, she ...
I. An out-of-focus sequence of General Sir Edmund Allenby (?) reviewing a marchpast by British or Indian Cavalry of the Desert Mounted Corps, Palestine Front, 1918.II. Arab workers filling bottles and...
Australian soldiers, probably of 5th Division, at the south end of the Saint Quentin tunnel at Bellicourt. A temporary bridge has been built just below the tunnel entrance. A view, from on top of the ...
Australian troops practising bomb (hand grenade) throwing from slit trenches. The explosions are filmed at various angles and distances. The 'cup final' of 7th (Meerut) Division football championships...
Szene aus "Noise and Resistance"
Irmin Schmidt in "Can and Me" (2022)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Veronica Ferres, Michael Shannon in "Salt and Fire" (2015/16)
Anke Bak in "Wood and Water" (2021)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...