Et æsel spærrer vejen. FN-soldater og lokale mødes. Ingen forstår hinanden, og den simple forhindring forvandler sig hurtigt til en konflikt af babelske dimensioner. Den korteste vej mellem mennes...
A film poem in seven parts: 1. Complex, 2. Here and Now, 3. Interlude, 4. Crocodile, 5. Come and See This, 6. Out of this World, 7. The Bravest Boat. In Margaret Tait's own words "Starting with a ...
A drunken man staggers around Glasgow's Royal Exchange Square and George Square on a beautiful sunlit morning. He seems to be troubled by the drunken events that led him here... Seeing a destitute m...
A comprehensive record of the peaceful demonstration against the building of a nuclear power station at Torness, 1979. By blending actuality footage, speeches, interviews and song, the film explores ...
Presentation of Brussels by the puppets Toone and Woltje.
"Above and Below" (2012-14)
Szene aus "Losers and Winners"
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Veronica Ferres, Michael Shannon in "Salt and Fire" (2015/16)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Szene aus "Losers and Winners"
Ken Duken, Hinnerk Schönemann (v.l.n.r.)
"The Farmer and I" (2013-16)
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...