Stan Laurel and Oliver Hardy sightseeing in Edinburgh where they visit the castle and make an appearance on stage at the Playhouse Cinema.
A tour of the principal centres in Scotland for road and rail networks - Stirling, Perth, Dundee, Aberdeen and Inverness.
Jeannie and Mattie are accepted for a seaside holiday camp. One of a series of fund-raising films produced in aid of the Necessitous Children's Holiday Camp Fund.
A camping expedition by an uncle and his nephew, showing the do's and don'ts of the countryside code.
A film tracing the introduction of movement as a factor in 20th century art. It records various ways in which artists have tackled this development such as Gabo, Calder and Soto.
Surrealistic view of the "Honeymoon couple", interrupted by salesmen, consumer goods, jealousy, anger and infidelity. [Award winner in the 1957 Scottish Amateur Film Festival.]
A descriptive essay on the city of Edinburgh, and in particular of Edinburgh Castle.
A promotional film for George Waterston and Sons of Edinburgh, Wax Chandlers. This film shows interiors and machinery of the firm's old wax making factory at St. John's Hill, just prior to demolition....
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Szene aus "Losers and Winners"
Ken Duken, Hinnerk Schönemann (v.l.n.r.)
"The Farmer and I" (2013-16)
Veronica Ferres in "Salt and Fire" (2015/16)
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...