Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Szene aus "Losers and Winners"
"Above and Below" (2012-14)
"Love and 50 Megatons" (2019)
Sangay Rinchen, Irja von Bernstorff in "The Farmer and I" (2013-16)
"And-Ek Ghes..." (2015/16)
German movie poster of "And-Ek Ghes..." (2015/16)
Szene aus "Lost and found"
"Messi and Maud" (2017)
"The Farmer and I" (2013-16)
Steve Coogan (front) in "Shepherds and Butchers" (2015/16)
"Above and Below" (2012-14)
Szene aus "Here and There"
Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Aubinger, Josef: „Die Kinematographie in Kriegszeiten.“ Der Kinematograph 398 (1914): 3-5. Artikel, der die mögliche Zukunft des Kinowesens im Krieg beschreibt. Die wirtschaftliche Lage der Kinos...
Screenplay (excerpt) of "Gestehen Sie, Dr. Corda!".
English screenplay for "Kampf um Rom. 2. Teil: Der Verrat" (version from February 1968, excerpt), with handwritten revisions from 12 August 1968.
Notice on a break in shooting due to a Kennedy visit.
Daily production report No. 21, 07 June 1958 on the shooting of "Der Czardas-König (Die Emmerich-Kalman-Story)".
Presse-Stimmen über das Filmwerk Tirol in Waffen, Das Lichtbildtheater, 6.Jg., Nr.10, (1914).
Dialogue list (excerpt) for "Maharadscha wider Willen".