Irmin Schmidt in "Can and Me" (2022)
"The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
"Above and Below" (2012-14)
Szene aus "Noise and Resistance"
Christobal Farais, Rifka Lodeizen in"Messi and Maud" (2017)
"Above and Below" (2012-14)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
Stereoscopic glass plate from a private collection in Alsace-Lorraine.
31122 - Craonelle - Change of shift possibly in connection with the Second Battle of the Aisne, 1917. Stereoscopic glass plate from a private collection in Alsace-Lorraine.
3205 - Artois (1915) - Beametz-Rivière station. Stereoscopic glass plate from a private collection in Alsace-Lorraine.
31025 - Belgian - Ypres in ruins Stereoscopic glass plate from a private collection in Alsace-Lorraine.
21929 On the move Stereoscopic glass plate from a private collection in Alsace-Lorraine.
0604 - Killed horses - Belloy en Santerre, Picardie Stereoscopic glass plate from a private collection in Alsace-Lorraine.
31020 - Marne (1918) - Blown up bridge Stereoscopic glass plate from a private collection in Alsace-Lorraine.
0420 - Bois des Loges forest - Canon de 240 (Santerre, Picardie)
Casting suggestion for "Ein Mann muß nicht immer schön sein".
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 550, (1917), S. 15-17. Rezension aktueller Filme. Interessant ist, dass die russische Gesellschaft filmisch thematisiert wird. Karl Schneider,...
Dialogue list (excerpt) for "Adieu, Lebewohl, Goodbye".
Breakdown of shooting days for "Die Frühreifen".
B.T., Messters Kriegskinos, Der Kinematograph, 437, (1915), S. 19. Meldung, dass die Firma Messter die Erlaubnis bekommen habe, regelmäßig an der Westfront Filmaufnahmen zu machen.
Screenplay (excerpt) of "Die Frühreifen".