Amateur footage of a journey down the Clyde by steamer to Rothesay.
Amateur footage of delegates attending a National Union of Townswomen's Guilds conference in the Royal Albert Hall in London.
Amateur footage of a residential drama course at Inverclyde House, Largs.
Amateur footage of Townswomen's Guild events, including a coach trip to the Borders, music and theatrical productions and a fashion show.
Amateur footage of a show of wedding presents and a wedding reception.
Amateur home movie footage of family events, including home visits, trips to the seaside and riding stables.
Amateur footage of a Hazelden Riding Club gymkhana at Peel Road Field, Carmunnock.
Amateur footage of the last day of tram services on the streets of Glasgow, and the evening display of Glasgow's historic trams.
"And-Ek Ghes..." (2015/16)
Joseph Vogl in "Near and Elsewhere" (2018)
Szene aus "Here and There"
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Szene aus "Noise and Resistance"
Irmin Schmidt in "Can and Me" (2022)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Internal correspondence regarding the shooting for "Liebe".
English dialogue list (excerpt) for "Winnetou und Shatterhand im Tal der Toten".
Location description for "Winnetou und Shatterhand im Tal der Toten".
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
To-do list for "Winnetou und Shatterhand im Tal der Toten".
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...