Field Marshal Paul von Hindenburg celebrates his 70th birthday in his headquarters. General Ludendorff, Kaiser Wilhelm II and other personalities attend the event.
A bullfight demonstration by bullfighter Juan Belmonte García.
Fragment of newsreel or reportage about World War I with the label "Une réserve d'obusiers". The film content is just a pan from left to right which shows a long guns battery. The guns are aligned in...
In '1914' maken we kennis met drie families, twee in de grote stad en een op het platteland. De De Roquevilles zijn welgestelde mensen die er een extravagante levensstijl op nahouden. Het andere stede...
Colonel Samson is not clearly visible in the film. The DH4, fitted with floats and no wheels, taxies through the water behind a Felixstowe flying boat, which takes off ahead of it. The DH4 then thrott...
A poster lists the various "Electoral Districts in Canada". Polling took place between 1 and 17 December. Men of 7th Brigade, Canadian 3rd Division read the poster. The brigade is 49th (Edmonton) Batt...
An officer, possibly Major-General H B de Lisle, presenting medals to a kilted battalion, who then march past. A pan over a group from the battalion sitting and smoking. They are possibly the Canadian...
Only the brake-wheel can be seen of the train, and for part of the time a lance-corporal brakeman with his back to the camera. The track moves through the rubble, clay and destroyed villages of the ar...
Regie zu "Apollo" (2009)
Szene aus "Peter Lump"
Szene mit Grethe Weiser
David Zimmerschied in "Kill Me Today, Tomorrow I'm Sick!" (2017/18)
Fabian Busch
Johann Hillmann, Stephan Kampwirth (v.l.n.r.)
David Kross, Detlev Buck (from left to right)
Szene aus "The White Room"
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.
Russian melodrama about the heroic deeds of a woman during the First World War.