The Danish film journal FILMEN was published in the period 1912-1919 (24 issues per year). First published under the name "A/S Kinografen", then from 1913 under the name "Association of Cinema Theatre...
The Danish film journal FILMEN was published in the period 1912-1919 (24 issues per year). First published under the name "A/S Kinografen", then from 1913 under the name "Association of Cinema Theatre...
The Danish film journal FILMEN was published in the period 1912-1919 (24 issues per year). First published under the name "A/S Kinografen", then from 1913 under the name "Association of Cinema Theatre...
The Danish film journal FILMEN was published in the period 1912-1919 (24 issues per year). First published under the name "A/S Kinografen", then from 1913 under the name "Association of Cinema Theatre...
The Danish film journal FILMEN was published in the period 1912-1919 (24 issues per year). First published under the name "A/S Kinografen", then from 1913 under the name "Association of Cinema Theatre...
The Danish film journal FILMEN was published in the period 1912-1919 (24 issues per year). First published under the name "A/S Kinografen", then from 1913 under the name "Association of Cinema Theatre...
The Danish film journal FILMEN was published in the period 1912-1919 (24 issues per year). First published under the name "A/S Kinografen", then from 1913 under the name "Association of Cinema Theatre...
The Danish film journal FILMEN was published in the period 1912-1919 (24 issues per year). First published under the name "A/S Kinografen", then from 1913 under the name "Association of Cinema Theatre...
Brigitte Grothum
Bozidar Kocevski (right) in "Darkroom" (2019)
Willy Birgel, Marianne Hoppe, René Deltgen (v.l.n.r.)
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.