Melodrama waarin een stiefvader de erfenis van zijn twee stiefdochters in handen probeert te krijgen. Als de ene sterft en de ander zich opoffert komt hij tot inkeer.
Korte oorlogsreportage over het Duitse marineschip 'Möwe'. Dit schip houdt Britse schepen aan, neemt de bemanning aan boord en vernietigt de vaartuigen. Ook schepen van neutrale landen worden aangeho...
Beelden, uit 1914, van de fabricage van vliegtuigen: Een dubbeldekker wordt naar buiten gebracht en de motor wordt erop gemonteerd. Het vliegtuig kan geheel in onderdelen, als bouwpakket, vervoerd wor...
Jonas, the lord of the manor, and Ahti the Finn have been close friends for years. When Jonas's sister is attacked by a gypsy, Jonas and Ahti come to her aid, and the gypsy is badly beaten. Soon after...
Cesarina Rupert, a modern day Messalina, is Claudio’s wife, a patriot and a brilliant inventor of war vehicles for France. Between personal drama and spy intrigues, this mismatched couple is d...
Guazzoni, in putting on this sensational work must have encountered many difficulties. However, he overcame them brilliantly. He presents the episodes and vicissitudes which characterise the liv...
The making of patriotic films was not rare among FAI productions, and "Il bacio della gloria" is one example, together with "Armi e amori" (1913) and "Per la Patria!" (1915). “In the Speech fr...
Claire is the beautiful daughter of the director of the steelworks. Revolutionaries storm the director's estate during a strike, and the director is killed. Worker Albert Fjeld remembers that Claire h...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.