The Miller portrays an old homeless man, who has evacuated himself in an abandoned industrial complex.When three Event-managers take over the room, there is a severe possibility of the old man being t...
It has been fourteen years of an increasingly suffocating marriage for Lene. Her husband's career has always taken precedence over her own at home-work as a literary translator. They have a young son ...
Before the revolution, it served as a regular prison for Batista's political adversaries. The patients confined there lived a life in incredible misery. We visited the hospital on a hot day in July 19...
The vampire is on the loose, as is classical gothic horror in this tale about Rico Mortis, the immortal bloodsucker. For centuries he haunted mankind until a brave woman drove him into the grave. But ...
When Uncle Anders learns he is inheriting a castle on Funen, the whole family piles in the car to go to there for heir holiday. As it turns out, another family is also claiming title to the castle. A ...
Szene aus "Noise and Resistance"
"Above and Below" (2012-14)
Enrique Fissin "Near and Elsewhere" (2018)
Sangay Rinchen in "The Farmer and I" (2013-16)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Natasja Juul in "Near and Elsewhere" (2018)
Irmin Schmidt in "Can and Me" (2022)
"The Farmer and I" (2013-16)
Daily production report No. 34, 16 February 1966 on the shooting of "Lange Beine - lange Finger".
Die Eiko-Kriegswoche im Dienste der Auslandsaufklärung, Der Kinematograph, 453, (1915), S. 22. Bericht über eine Vorführung von Eiko-Wochenschaubildern vor dem amerikanischen Botschafter.
Time report, 02 October 1958, on "The Indian Tomb".
Costume list for "Der Czardas-König (Die Emmerich-Kalman-Story)".
Bergmann, Franz. "Die Konzessionspflicht Der Kinematographentheater." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 153-163. Bericht über das die neu erlassene Ko...