NIKOS KOUNDOUROS’ DESIGN FOR ARISTOPHANES’ LYSISTRATA. DESIGN WITH COLORFUL CRAYONS. PORTRAYAL OF A MAN ON HORSEBACK IN A TSOLIAS’ OUTFIT (WEARING A KILT), HOLDING IN HIS RIGHT HAND A FOLK INSTR...
The Miller portrays an old homeless man, who has evacuated himself in an abandoned industrial complex.When three Event-managers take over the room, there is a severe possibility of the old man being t...
It has been fourteen years of an increasingly suffocating marriage for Lene. Her husband's career has always taken precedence over her own at home-work as a literary translator. They have a young son ...
Before the revolution, it served as a regular prison for Batista's political adversaries. The patients confined there lived a life in incredible misery. We visited the hospital on a hot day in July 19...
The vampire is on the loose, as is classical gothic horror in this tale about Rico Mortis, the immortal bloodsucker. For centuries he haunted mankind until a brave woman drove him into the grave. But ...
When Uncle Anders learns he is inheriting a castle on Funen, the whole family piles in the car to go to there for heir holiday. As it turns out, another family is also claiming title to the castle. A ...
Filmplakat für die Berliner Aufführungen von "Nürnberg und seine Lehre", welche druch die sowjetische Blockade bis Mai 1949 verzögert wurden
German movie poster of "Messi and Maud" (2017)
Filmplakat
"Messi and Maud" (2017)
"The Farmer and I" (2013-16)
Steve Coogan (front) in "Shepherds and Butchers" (2015/16)
"Above and Below" (2012-14)
Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)