Stan Laurel and Oliver Hardy sightseeing in Edinburgh where they visit the castle and make an appearance on stage at the Playhouse Cinema.
A tour of the principal centres in Scotland for road and rail networks - Stirling, Perth, Dundee, Aberdeen and Inverness.
Jeannie and Mattie are accepted for a seaside holiday camp. One of a series of fund-raising films produced in aid of the Necessitous Children's Holiday Camp Fund.
A camping expedition by an uncle and his nephew, showing the do's and don'ts of the countryside code.
A film tracing the introduction of movement as a factor in 20th century art. It records various ways in which artists have tackled this development such as Gabo, Calder and Soto.
Surrealistic view of the "Honeymoon couple", interrupted by salesmen, consumer goods, jealousy, anger and infidelity. [Award winner in the 1957 Scottish Amateur Film Festival.]
A descriptive essay on the city of Edinburgh, and in particular of Edinburgh Castle.
A promotional film for George Waterston and Sons of Edinburgh, Wax Chandlers. This film shows interiors and machinery of the firm's old wax making factory at St. John's Hill, just prior to demolition....
Maggie Peren
Christobal Farais (second from left), Rifka Lodeizen in "Messi and Maud" (2017)
Irmin Schmidt in "Can and Me" (2022)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Filmplakat
"Love and 50 Megatons" (2019)
German movie poster of "Can and Me" (2022)
"Messi and Maud" (2017)
Englische Beobachtungen im Berliner Kino, Der Kinematograph, 421, (1915), S. 27. Bericht, der aus der Londoner "Daily Mail" zitiert wird und die Eindrücke eines englischen Reporters von einer Wochens...
Brief der Filmoberprüfstelle Berlin an das bayerische Innenministerium vom 17.11.1930.
Brief des bayerischen Innenministeriums mit Antrag auf Widerruf der Zulassung des Bildstreifens "Frauennot - Frauenglück" an die Filmoberprüfstelle Berlin vom 06.12.1930.
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...