Newsreel item showing British soldiers eating bread and jam "with proverbial coolness," Western Front, May 1918.
"The Retreat From Ghent - Belgian cavalry and artillery falling back on Bruges".
A collection of fragments of British and Australian aviation film of the First World War period.
VICTORY - GOD BLESS THE BRITISH ARMY THAT HAS SAVED OUR HOMES AND OUR ALL!: Stock footage of mortar launcher, bi-plane, and tanks. AND OUR INDOMITABLE SONS OF THE SEA WHO HAVE SAVED US AND OUR ALLIES ...
The assembly groups the films into episodes as follows: (Reel 1) Salonika, the voyage to Egypt, the ceremony of the drums, the aeroplane flight; (Reel 2) the horse show, scenes at a 'cactus patch' loc...
British and Belgian troops on dockside at Ostend. "Trekking To Safety - British and Belgian troops watch the departure of the refugees from Ostend" - one shot only after this title.
I. Spanish language version of a newsreel item on the city and cathedral at Amiens after the German failure to capture the city, 5th-7th April 1918. II. Spanish language version of a newsreel item on ...
Russian war drama about the love between a peasant girl and a Russian prince at the time of the Russian (February) Revolution in 1917. As a young peasant girl, Mary Warren (Geraldine Farrar) is being ...
German movie poster of "Toxi" (1952)
Marie-France Messaoud in "Ich betone - oben ohne" (1968/69)
Isaak Dentler, Rolf Zacher, Hendrik von Bültzingslöwen (left to right) in "Die Liebe und Viktor" (2009)
"WHAT MOVES YOU - Jetzt kommt alles in Bewegung" (2012/13)
Nina Kronjäger in "Orientierungslosigkeit ist kein Verbrechen" (2014-16)
"La horse" (1969/70)
Rolf Lassgård in "Ein großes Versprechen" (2021)
"Farbtest. Die Rote Fahne" (1968)
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.
Russian melodrama about the heroic deeds of a woman during the First World War.