During a trip to the island of Aegina, Lampros (Lampros Konstantaras), who is returning to his wife after a 15-year separation, meets Gianna (Jenny Karezi), who is visiting her mother Elena, and Iason...

A NATO airplane accidentally drops a hydrogen bomb near a Greek island. Agents arrive on the island to retrieve the dangerous weapon. At the same time, Greek agents pretending to be businessmen are al...

Stella (Melina Merkouri), a singer at the Paradise nightclub is living a guiltless, turbulent, passionate and vigorous life. When she meets Miltos (Giorgos Fountas), a famous soccer player, she leaves...

A man belonging politically to the Left (Nikos Kalogeropoulos) comes to the verge of killing himself after a severe crisis. He tries to write a book about things that used to be and are no more. Every...

Loukas, who is a crook, lives under the same roof with Liana (Irene Papas) and her mother Elli (Smaroula Giouli). Loukas works at a taverna. One day, a drug dealer suggests that they work together so ...

The introduction of this film is set during the time of the Junta (1967-1974) when the main character (Lefteris Dimakopoulos) used to work at the fish-market in Mesolonggi in order to be able to finis...

A girl from a good, well-to-do island family, Anna, is studying in the Medical School in Athens. She is in love with a poor fisherman, Dimitris, whom her father doesn’t want as his son-in-law. The y...

Nikos (Angelos Mavropoulos) tries to raise his adopted daughter Mairoula (Mirka Kalatzopoulou) on his own after losing his wife. When Mairoula grows up, Nikos marries Aliki (Efi Oikonomou), who behave...

Short critical review of the film. It considers Sam Peckinpah as the heir to Ford and refers to his thoughts on violence on television and in films respectively.

Programme of the cinema club of Pyrgos, a division of the Hellenic Film Archives. This is a programme for the series: “FROM THE FIRST COMEDIES TO THE DRAMA OF CALVERO” (The life and work of Char...

The presentations starts with the association of the director with the musical genre and light opera in Hollywood. The German Lubitsch "was proven to be the greatest of the time" with his distinct hum...

The programme for the screening of the film "Pierrot Goes Wild (Pierrot le Fou)", after details from the credits, mentions: best lines of S. Fuller, R. Coutard, the gangster element and the Vietnam w...

The programme for the film "Made in USA" says that the Film Club has shown almost all of Jean-Luc Godard's films and lists their titles. It includes the credits and comments on the film. Finally, it r...

On the cover of the programme for the tribute to Greek Cinema there is the design for a phenakistoscope (“spindle viewer”), titles of the films and their directors. Inside it refers to each film i...

The "WEEK END", Jean-Luc Godard’s last film ("Pierrot goes Wild ", "La Chinoise", "Alphaville") before embarking on a form of directly political and revolutionary cinema that has nothing to do with...

The text on American Independent Filmmakers mentions: new trends, the underground, directors with artistic aspirations, documentary filmmakers, directors whose subject fail to attract interest, amateu...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS