In order to get together with their girlfriends, three young men decide to dress up as females and sneak into the strict institution where their sweethearts are studying.
The sisters of an emir spend their holidays on Rhodes, where they fall in love with two young men who do not know who the girls are. The two sons of a businessman flirt with two models, who they think...
An experimental film presenting childhood, adolescence and the coming-of-age in five phases (pre-school, primary school, gymnasium, lyceum, graduation). By use of images and drawings from the filmmake...
Erasmia, a young thief, and her partner in crime, Agostin, break into a rich businessman’s mansion, which they believe to be deserted, to steal a valuable painting, only to find Alexis, the business...
Manolis (Alekos Tzanetakos), who works in the coffee house of Agisilaos (Nikos Stavridis) complains to his mother (Theano Ioannidou) that he gets very tired at work, but she gets into trouble when she...
Through her personal diary, Christina (Elena Nathanail), who is charged with murder, reveals the circumstances under which she murdered her lover (Giannis Voglis). Their relationship started when she ...
The industrialist Nikos Valeris is a man with two lives and two women. The legal one, is rich and the mother of their daughter Eleni. The other one is poor and has an illegitimate son, Vangelis, who b...
A brief note with some details about the screenplay and the contributors that conveys the view that "it is the only adaptation of one of his plays for cinema that satisfied Brecht, since the screenpla...
The particularity of the film GRAND PRIX, directed by the Norwegian Ivo Kaprino, is the fact that he creates an artistic quality film with puppets. The plot is inspired from the world of car races and...
Program of the Amfissa Cinema Club, a branch of the Greek Film Archive. The front cover bears the title of the film to be screened: "THE THIEVE OF PEACHES " by Vulo Radev, and lists other contributors...
A profound analysis of the work based on the theory of psychoanalysis. It emphasizes Polansky’s ability to describe atrocious human deeds as if they were something natural. It compares his view with...
The lengthy program signed by Aglaїa Mītropoulou presents the distinctions Greg Talas as well as few words on his life and work of the filmmaker. The plot of the film concerns the ‘story of 160 ch...
A brief note on Mikhalkov's last film; a few words about the plot; the director's efforts to make a film about Russia's life and landscape; a quotation from the director, who said: "The film is not ab...
The film programme dedicated to Czechoslovak Jiri Trnka refers to the history of animated cartoons, stressing America's and Disney's lead in the field, and mentions certain notable exceptions in the E...
The programme for the screening of the film "The Rules of the Game" gives information from the credits and then talks about the life and career of the director. Then it discusses the perspective of th...
Weekly publication featuring a variety of topics on cinema. Page 393 is selected: "Films to be played. To the heights". 8th FORMAT.
Poster about two of Michalis Kakogiannis' films: 1)"A Girl in Black" with Ellie Lambeti's drawing – portrayal as the leading actress and 2)"Iphigenia", with two photos from the film. The film title ...
Periodical published by the Pan-hellenic Union of Film Industry Employees addressing employment issues in the sector. the article on the “History of the Cinema in Greece” on page 18 is most notewo...
STILL ABOUT THE FILM “ASTERO” STARRING ALIKI THEODORIDOU AND AIMILIOS VEAKIS, INCLUDING A PHOTO-SCENE FROM THE FILM.
WEEKLY NEWSPAPER ABOUT FILMS AND THE ARTS
FILM DIRECTORY OF ANDREAS CHALIOTIS’ PRODUCTION OFFICE SPANNING 1969-1970.
BULLETIN OF MOVIE CAMERA SHOTS ABOUT THE FILM “RETRACING THE STEPS OF ALEXANDER THE GREAT” ON 6/7/1963, WITH REFERENCE TO THE LOCATION AND THEME OF THE SHOTS, CAMERA MOVEMENT, LENS, FILTER, PHOTOM...
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.