In Turkish occupied Greece in the 18th century, Menousis (Giannis Voglis), after the Turks have killed his wife and child, decides to climb the mountains and, along with the bandits, fight for the lib...
A shepherd gets his girlfriend pregnant, but she decides to have an abortion. The man leaves the countryside and goes to Thessaloniki, where he hangs out with the marginalized and the desperately poor...
A rich young man falls in love with a poor (as usual) working girl, but his father’s objections keep him from developing their relationship. The girl goes off for a period of time and gives birth to...
Achilleas (Stathis Psaltis), desperately seeking work, pretends to be his own twin sister at the school for traffic wardens. In the meantime, he is also working as a builder for a rich man (Mimis Fot...
A computer programmer (Alexandra Vantsi) is facing a period full of stress and crises in her professional career and in her private life with her husband (Antonis Theodorakopoulos). During a stroll th...
A film adaptation of the play by the same name – one of the most popular plays in modern Greek theater – written by one of the most important authors of the Interwar period, Dimitris Bogris. It is...
Giannis (Alekos Alexandrakis) pretends to be the lost son of the Mavroleontos family. The mother (Vaso Metaxa) is happy with the return of her son. Her daughter Liana (Zoe Laskari) is also happy, and ...
Spyros (Manos Katrakis), a political refugee, returns to his homeland in his old age after many years in exile. His return is thorny, as even his wife (Ntora Volanaki) is like a stranger to him. Spyro...
The APOLLON cinema program. On the front cover: “A song from the film “100% VIRGIN”, a major box office success in Paris. “Le rosier de Mme Husson. French speaking musical comedy. Unsuitable f...
Critique presentation of the movie with the "incomparable couple" of Italian comedy Rizi - Gassman. Supports the critique in the analysis of Gerardo's central hero, a charlatan actor. Concludes with t...
The program begins by commenting the unfair treatment of the film at the Thessalonica Film Festival and continues saying that this first long film of the filmmaker is characterized by the “clever di...
The introduction to the tribute to Federico Fellini mentions: previous tributes, Fellini’s philosophy and faith, his characters, his films, mythomania, directing final communications and the unsatis...
Programme for the PALLAS cinema. On the cover, graphics with the logo of the cinema and the signature “Vlaso” – as well as reference to the Anonymous Cinematographic Company, which obviously man...
Without mentioning any credits the program goes directly to the description and evaluation of this film made in the early 20th century. It informs us that it is a “rare ethnographic recording of VL...
Critique presentation of the film with references to theatrical boulevard, a genre on which both in theater as well as in motion pictures the French are irresistible. Sautee's love story "has both jov...
The introduction to the programme for the tribute to Federico Fellini gives information on his life and importance as well as reviews of his films - followed by the films with photos, credits, plots a...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS