A freshwater captain tries to satisfy his desires through wild adventures but his romantic affairs are a real “shipwreck”.
This is the story of two wretched men (Mimis Fotopoulos and Giorgos Vlachopoulos) who try to survive by cheating and tricking the people around them.
The son (Lefteris Vournas) of a popular musician (Orestis Makris) is secretly studying at the National Polytechnic and earns his living by working at construction sites. When he loses his job, he goes...
Two friends (Nikos Stavridis and Thanasis Vengos) buy a motorcycle-shop with goods supplied by a wholesaler (Koulis Stoligkas) and wander the neighborhoods, selling their merchandise in installments. ...
The film is about the story of various couples who meet in a house called Villa Nelli. It is the only film actor Takis Emmanouil ever directed.
A two-act comedy in the style of Villar.
A series of mysterious murders confounds the country’s secret services, as they investigate, discreetly but persistently, every aspect of the case. With the help of a number of coincidences, it is r...
Somewhere in the Macedonian countryside, two couples (Niki Triantafyllidi – Takis Emmanouil and Faidon Georgitsis – Emilia Pita) split up when war breaks out. The two men are sent to fight on the ...
The programme is entitled "The Wealth of the German Cinema" and is a comprehensive encyclopaedic essay on the classical German cinema. The Greek Film Archive Foundation proudly presents a rare copy of...
Richard Brooks' romantic love melodrama « THE LAST TIME I SAW PARIS" was a huge success in the '50s. It is based on Scott Fitzgerald's book "ΒΑΒΥLON REVISITED" and is about a writer's love for a ...
The programme for January – April 1997 announces the following cinematic tributes (beginning with a brief introduction, followed by titles of the films and details from the credits). - Marcello Mas...
The SPLENDID Cinema program. On the front cover: “The SPLENDID cinema, ‘ASTERO’”, followed by the film synopsis.
According to the programme, Giannini, “transferring to the big screen his theatrical success, aspired, with this film, to give to the new kind of Dance-Musical-Fantasy, which was tried right after W...
The presentation, signed by Mona Mitropoulou, begins with reference to the history and the time environment of the film: We are in (1934-5), that is the time of dominion of the German cinema, followin...
The program mentions the divided reception of the film by the public and the characterization given by the filmmaker himself as “a requiem to the unification with Greece”. The presentation also a...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS