Apostolos (Giorgos Kimoulis) and his sister Nanota return to Greece while the military dictatorship is still in full swing. Nanota meets a wealthy man, and Apostolos joins a resistance group against t...
Two young blind people, Giorgos (Vasilis Mavrommatis) and Kaiti (Voula Avramidou) are trying to study with the help of their relatives and friends. A con artist (Nontas Kastanas) meets Kaiti and her s...
We know that this particular footage was taken by S. Leon, a Gaumont representative, who came from Egypt to Greece in 1906. He settled down in Athens, opened a photography shop and cinema, where, on a...
Two poor employees (Stavros Paravas and Sotiris Moustakas) attempt to wed two wealthy women (Sasa Katsoura and Aina Maouer) to marry into the good life. But when their plans are scuttled, they return...
A naïve coffee-house owner from the country, Thymios Papachatzis (Kostas Chatzichristos), comes to Athens to ask his twin brother, Kostas, a famous actor, for a loan so he can marry Pagona, the villa...
A successful insurance agent, Karolos, invites a charming woman, Nana, to dinner. Nana was the victim of a client of his, and while they are having dinner, he buys her a handful of state lottery ticke...
Krinoula (Aliki Vougiouklaki), known by the nickname Pontikaki (Little Mouse), works in a flower shop and lives with a young man (Giorgos Lefteriotis), whom she had helped to renounce criminality and ...
Three young people have decided to rob the safe of the estate agent Thomas Christidis, whose office is in the center of Athens. The first of them is Ntinos, who is Christidis’ clerk, the second one ...
Short critical review of the film. It considers Sam Peckinpah as the heir to Ford and refers to his thoughts on violence on television and in films respectively.
Programme of the cinema club of Pyrgos, a division of the Hellenic Film Archives. This is a programme for the series: “FROM THE FIRST COMEDIES TO THE DRAMA OF CALVERO” (The life and work of Char...
The presentations starts with the association of the director with the musical genre and light opera in Hollywood. The German Lubitsch "was proven to be the greatest of the time" with his distinct hum...
The programme for the screening of the film "Pierrot Goes Wild (Pierrot le Fou)", after details from the credits, mentions: best lines of S. Fuller, R. Coutard, the gangster element and the Vietnam w...
The programme for the film "Made in USA" says that the Film Club has shown almost all of Jean-Luc Godard's films and lists their titles. It includes the credits and comments on the film. Finally, it r...
On the cover of the programme for the tribute to Greek Cinema there is the design for a phenakistoscope (“spindle viewer”), titles of the films and their directors. Inside it refers to each film i...
The "WEEK END", Jean-Luc Godard’s last film ("Pierrot goes Wild ", "La Chinoise", "Alphaville") before embarking on a form of directly political and revolutionary cinema that has nothing to do with...
The text on American Independent Filmmakers mentions: new trends, the underground, directors with artistic aspirations, documentary filmmakers, directors whose subject fail to attract interest, amateu...
BOOK BY NIKOS ARVANITIS (AUTHOR)
STILL ABOUT KOSTAS SFIKAS’ “PROMETHEUS ENANNTIODROMON”: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS.
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.
FORTNIGHTLY PUBLICATION OF RESEARCH NEWS AND ART REVIEWS. CINEMA-THEATER-MUSIC.SHEET SHAPE.
POSTER ABOUT JULES DASSIN AND A. VOUTSINA’S “CRI DES FEMMES” (A DREAM OF PASSION)
“EFKARPIDI” CINEMA PROGRAM ADVERTISING THE FILM “A STRANGE WOMAN”; THE FACTORS OF PRODUCTION.
THE ATHENS FILM CLUB PROGRAM FOR A RETROSPECTIVE OF YASOHIRO OZU’S FILMS, FIVE FILMS: LATE SPRING, THE HISTORY OF TOKYO, EARLY SPRING, GOOD MORNING, LATE AUTUMN.