Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
German movie poster of "The Farmer and I" (2013-16)
Irja von Bernstorff (second from the right), Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Holidaymakers setting out from Glasgow, and travelling by train and steamer down the coast to Rothesay and Ettrick Bay. Includes tracking shots from tram in Sauchiehall Street.
A demonstration on how to use a Seine net for trawling. This film was planned by the Marine Laboratory Aberdeen, as part of their research programme on the efficiency of fishing gear. "Grateful ackn...
A look at the social and economic changes in Scotland during the 1950s, after the upheaval of the war. From the restoration of Iona Abbey to the development of new industries.
A drama / documentary about the Civil Defence services during wartime Edinburgh, this film contains shots of the messenger Corps in action alerting all services during ARP - including the system used ...
The festival of the Braw Lads Gathering in the Borders town of Galashiels; the historic flag is presented and then carried on horseback through the town.
Sportdrama (englisch) nach dem Stück von
Screenplay (excerpt) of "Das verbotene Paradies.
O. Verf.. „Auswüchse in der Reklame der Lichtbildtheater.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,1 (1913/1914): 24. Die Stadt Bamberg habe eine Verordnung erlassen, ...
Zensur, Oberprüfstelle O.601, 5 Akte 1519 m. (1629 m. vor Zensur), Quelle: Jahrbuch, Jugendverbot.
Beschluss der Polizeidirektion Hof: Die Erlaubnis zur Vorführungen von "Frauennot - Frauenglück" im Centraltheater in Hof wird aufgrund des starken Widerstands in der Bevölkerung zurückgenommen.
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Richard Ostwald Film GmbH, Anders als die Andern (§ 175), Der Kinematograph, 635, (1919), S. 34.
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