Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
Irja von Bernstorff in "The Farmer and I" (2013-16)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
self portrait Helmut Newton in Yvas Studio, 1930s ("Helmut Newton – The Bad and the Beautiful", 2019)
Arena, New York Times ("Helmut Newton – The Bad and the Beautiful", 2019)
Nadja Auermann in "Helmut Newton – The Bad and the Beautiful" (2019)
self portrait Helmut Newton, Monte Carlo, 1993 ("Helmut Newton – The Bad and the Beautiful", 2019)
Chicken, VOGUE, 1994 ("Helmut Newton – The Bad and the Beautiful", 2019)
Charlotte Rampling in "Helmut Newton – The Bad and the Beautiful" (2019)
Gero von Boehm, Isabella Rosselini in "Helmut Newton – The Bad and the Beautiful" (2019)
Helmut Newton, Monte Carlo, 1987 ("Helmut Newton – The Bad and the Beautiful", 2019)
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...