Irmin Schmidt in "Can and Me" (2022)
"Above and Below" (2012-14)
"The Farmer and I" (2013-16)
Szene aus "Noise and Resistance"
Hendrik Heutmann, Martina Schöne-Radunski in "Love and 50 Megatons" (2019)
"Above and Below" (2012-14)
Natasja Juul in "Near and Elsewhere" (2018)
Filmplakat
Steve Coogan (front) in "Shepherds and Butchers" (2015/16)
"Above and Below" (2012-14)
Szene aus "Here and There"
Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Letter from CCC to Kalanag, 20 October 1959 regarding the loan of snakes for the shooting of "Herrin der Welt. I. Teil".
Memo for "Herrin der Welt (Teil I)" on the shooting with ants in the "Berliner Aquarium".
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Richard Ostwald Film GmbH, Anders als die Andern (§ 175), Der Kinematograph, 635, (1919), S. 34.
Daily call sheet for 08 December 1959 for the shooting of "Herrin der Welt".
Daily production report No. 22, 01 February 1966 on the shooting of "Lange Beine - lange Finger".
Daily production report No. 25, 17 November 1960 on the shooting of "O sole mio".
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